Favourite ever poem
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The Waste Land, by T.S. Eliot
Because it does exactly what Eliot said that good poetry does: It affects you before you even understand what it means.
(Also shout out to The Walrus and the Carpenter. Crazy awesome stuff.)
Because it does exactly what Eliot said that good poetry does: It affects you before you even understand what it means.
(Also shout out to The Walrus and the Carpenter. Crazy awesome stuff.)
Probably Father and Son by F.R.Higgins:
Only last week, walking the hushed fields
Of our most lovely Meath, now thinned by November,
I came to where the road from Laracor leads
To the Boyne river--that seems more lake than river,
Stretched in uneasy light and stript of reeds.
And walking longside an old weir
Of my people's, where nothing stirs--only the shadowed
Leaden flight of a heron up the lean air--
I went unmanly with grief, knowing how my father,
Happy though captive in years, walked last with me there.
Yes, happy in Meath with me for a day
He walked, taking stock of herds hid in their own breathing;
And naming colts, gusty as wind, once steered by his hand,
Lightnings winked in the eyes that were half shy in greeting
Old friends--the wild blades, when he gallivanted the land.
For that proud, wayward man now my heart breaks--
Breaks for that man whose mind was a secret eyrie,
Whose kind hand was sole signet of his race,
Who curbed me, scorned my green ways, yet increasingly loved me
Till Death drew its grey blind down his face.
And yet I am pleased that even my reckless ways
Are living shades of his rich calms and passions--
Witnesses for him and for those faint namesakes
With whom now he is one, under yew branches,
Yes, one in a graven silence no bird breaks.
Only last week, walking the hushed fields
Of our most lovely Meath, now thinned by November,
I came to where the road from Laracor leads
To the Boyne river--that seems more lake than river,
Stretched in uneasy light and stript of reeds.
And walking longside an old weir
Of my people's, where nothing stirs--only the shadowed
Leaden flight of a heron up the lean air--
I went unmanly with grief, knowing how my father,
Happy though captive in years, walked last with me there.
Yes, happy in Meath with me for a day
He walked, taking stock of herds hid in their own breathing;
And naming colts, gusty as wind, once steered by his hand,
Lightnings winked in the eyes that were half shy in greeting
Old friends--the wild blades, when he gallivanted the land.
For that proud, wayward man now my heart breaks--
Breaks for that man whose mind was a secret eyrie,
Whose kind hand was sole signet of his race,
Who curbed me, scorned my green ways, yet increasingly loved me
Till Death drew its grey blind down his face.
And yet I am pleased that even my reckless ways
Are living shades of his rich calms and passions--
Witnesses for him and for those faint namesakes
With whom now he is one, under yew branches,
Yes, one in a graven silence no bird breaks.
Original post by adam9317
What is your favourite ever poem of all time?
I am not a big poem fan, usually I hate them, but I do love the following one:
Two Scavengers in a Truck, Two Beautiful People in a Mercedes
by Lawrence Ferlinghetti
Whats yours?
I am not a big poem fan, usually I hate them, but I do love the following one:
Two Scavengers in a Truck, Two Beautiful People in a Mercedes
by Lawrence Ferlinghetti
Whats yours?
ahhhh so difficult to choose!
... I think I'd have to say 'Drummer Hodge' by Thomas Hardy as my all time fave poem..
but as a funny pick me up poem, it's Peter and Jane by Wendy Cope. Have you read it? If not... do! It's fantastic and hilarious!
I don't have a favourite, but I love John Donnes' The Sun Rising:
Busy old fool, unruly Sun,
Why dost thou thus,
Through windows and through curtains call on us?
Must to thy motions lovers' seasons run?
Saucy pedantic wretch, go chide
Late schoolboys and sour 'prentices,
Go tell court huntsmen that the King will ride,
Call country ants to harvest offices;
Love, all alike, no season knows, nor clime,
Nor hours, days, months, which are the rags of time.
Thy beams, so reverend and strong
Why shoulds't thou think?
I could eclipse and cloud them with a wink,
But that I would not lose her sight so long;
If her eyes have not blinded thine,
Look, and tomorrow late, tell me,
Whether both th'Indias of spice and mine
Be where thou left'st them, or lie here with me?
Ask for those kings whom thou saw'st yesterday,
And thou shalt hear, 'All here in one bed lay.'
She's all states, and all princes, I;
Nothing else is.
Princes do but play us; compared to this,
All honour's mimic, all wealth alchemy.
Thou, Sun, art half as happy as we,
In that the world's contracted thus;
Thine age asks ease, and since thy duties be
To warm the world, that's done in warming us.
Shine here, to us, and thou art everywhere;
This bed thy centre is, these walls, thy sphere.
Busy old fool, unruly Sun,
Why dost thou thus,
Through windows and through curtains call on us?
Must to thy motions lovers' seasons run?
Saucy pedantic wretch, go chide
Late schoolboys and sour 'prentices,
Go tell court huntsmen that the King will ride,
Call country ants to harvest offices;
Love, all alike, no season knows, nor clime,
Nor hours, days, months, which are the rags of time.
Thy beams, so reverend and strong
Why shoulds't thou think?
I could eclipse and cloud them with a wink,
But that I would not lose her sight so long;
If her eyes have not blinded thine,
Look, and tomorrow late, tell me,
Whether both th'Indias of spice and mine
Be where thou left'st them, or lie here with me?
Ask for those kings whom thou saw'st yesterday,
And thou shalt hear, 'All here in one bed lay.'
She's all states, and all princes, I;
Nothing else is.
Princes do but play us; compared to this,
All honour's mimic, all wealth alchemy.
Thou, Sun, art half as happy as we,
In that the world's contracted thus;
Thine age asks ease, and since thy duties be
To warm the world, that's done in warming us.
Shine here, to us, and thou art everywhere;
This bed thy centre is, these walls, thy sphere.
(edited 9 years ago)
Dover Beach by mathew Arnold is also worth a mention:
The sea is calm tonight.
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.
Sophocles long ago
Heard it on the Ægean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.
The Sea of Faith
Was once, too, at the full, and round earth’s shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.
Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.
The sea is calm tonight.
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.
Sophocles long ago
Heard it on the Ægean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.
The Sea of Faith
Was once, too, at the full, and round earth’s shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.
Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.
Original post by Fullofsurprises
Who is greater than death? Ask Ted Hughes.
Examination at the Womb-Door
Who owns those scrawny little feet? Death.
Who owns this bristly scorched-looking face? Death.
Who owns these still-working lungs? Death.
Who owns this utility coat of muscles? Death.
Who owns these unspeakable guts? Death.
Who owns these questionable brains? Death.
All this messy blood? Death.
These minimum-efficiency eyes? Death.
This wicked little tongue? Death.
This occasional wakefulness? Death.
Given, stolen, or held pending trial?
Held.
Who owns the whole rainy, stony earth? Death.
Who owns all of space? Death.
Who is stronger than hope? Death.
Who is stronger than the will? Death.
Stronger than love? Death.
Stronger than life? Death.
But who is stronger than Death?
Me, evidently.
Pass, Crow.
Examination at the Womb-Door
Who owns those scrawny little feet? Death.
Who owns this bristly scorched-looking face? Death.
Who owns these still-working lungs? Death.
Who owns this utility coat of muscles? Death.
Who owns these unspeakable guts? Death.
Who owns these questionable brains? Death.
All this messy blood? Death.
These minimum-efficiency eyes? Death.
This wicked little tongue? Death.
This occasional wakefulness? Death.
Given, stolen, or held pending trial?
Held.
Who owns the whole rainy, stony earth? Death.
Who owns all of space? Death.
Who is stronger than hope? Death.
Who is stronger than the will? Death.
Stronger than love? Death.
Stronger than life? Death.
But who is stronger than Death?
Me, evidently.
Pass, Crow.
I never understand poems and that makes me feel stupid
Original post by oskarwithak
The Waste Land, by T.S. Eliot
Because it does exactly what Eliot said that good poetry does: It affects you before you even understand what it means.
(Also shout out to The Walrus and the Carpenter. Crazy awesome stuff.)
Because it does exactly what Eliot said that good poetry does: It affects you before you even understand what it means.
(Also shout out to The Walrus and the Carpenter. Crazy awesome stuff.)
excellent choice bro. Mr Eliot has had a profound influence on my writing.
i also like Mr Auden's poem "A Summer Night"... beautifully set to music by Mr Britten.
[video="youtube;PDtjsoVcOVs"]http://www.youtube.com/watch?v=PDtjsoVcOVs[/video]
Out on the lawn I lie in bed,
Vega conspicuous overhead
In the windless nights of June,
As congregated leaves complete
Their day’s activity; my feet
Point to the rising moon.
Lucky, this point in time and space
Is chosen as my working-place,
Where the sexy airs of summer,
The bathing hours and the bare arms,
The leisured drives through a land of farms
Are good to a newcomer.
Equal with colleagues in a ring
I sit on each calm evening
Enchanted as the flowers
The opening light draws out of hiding
With all its gradual dove-like pleading,
Its logic and its powers:
That later we, though parted then,
May still recall these evenings when
Fear gave his watch no look;
The lion griefs loped from the shade
And on our knees their muzzles laid,
And Death put down his book.
Vega conspicuous overhead
In the windless nights of June,
As congregated leaves complete
Their day’s activity; my feet
Point to the rising moon.
Lucky, this point in time and space
Is chosen as my working-place,
Where the sexy airs of summer,
The bathing hours and the bare arms,
The leisured drives through a land of farms
Are good to a newcomer.
Equal with colleagues in a ring
I sit on each calm evening
Enchanted as the flowers
The opening light draws out of hiding
With all its gradual dove-like pleading,
Its logic and its powers:
That later we, though parted then,
May still recall these evenings when
Fear gave his watch no look;
The lion griefs loped from the shade
And on our knees their muzzles laid,
And Death put down his book.
Original post by Fullofsurprises
Who is greater than death? Ask Ted Hughes.
[h="1"]Examination at the Womb-Door[/h]Who owns those scrawny little feet? Death.
Who owns this bristly scorched-looking face? Death.
Who owns these still-working lungs? Death.
Who owns this utility coat of muscles? Death.
Who owns these unspeakable guts? Death.
Who owns these questionable brains? Death.
All this messy blood? Death.
These minimum-efficiency eyes? Death.
This wicked little tongue? Death.
This occasional wakefulness? Death.
Given, stolen, or held pending trial?
Held.
Who owns the whole rainy, stony earth? Death.
Who owns all of space? Death.
Who is stronger than hope? Death.
Who is stronger than the will? Death.
Stronger than love? Death.
Stronger than life? Death.
But who is stronger than Death?
Me, evidently.
Pass, Crow.
[h="1"]Examination at the Womb-Door[/h]Who owns those scrawny little feet? Death.
Who owns this bristly scorched-looking face? Death.
Who owns these still-working lungs? Death.
Who owns this utility coat of muscles? Death.
Who owns these unspeakable guts? Death.
Who owns these questionable brains? Death.
All this messy blood? Death.
These minimum-efficiency eyes? Death.
This wicked little tongue? Death.
This occasional wakefulness? Death.
Given, stolen, or held pending trial?
Held.
Who owns the whole rainy, stony earth? Death.
Who owns all of space? Death.
Who is stronger than hope? Death.
Who is stronger than the will? Death.
Stronger than love? Death.
Stronger than life? Death.
But who is stronger than Death?
Me, evidently.
Pass, Crow.
Cheer up Ted... it may never happen
Original post by the bear
Cheer up Ted... it may never happen
Do not try to disrupt the Dour Northern Dismality. It can only end in failure.
BTW, I am interested to discover that the inspiration for all those limericks is apparently TS Eliot. Who'd have thought.
Original post by Fullofsurprises
Do not try to disrupt the Dour Northern Dismality. It can only end in failure.
BTW, I am interested to discover that the inspiration for all those limericks is apparently TS Eliot. Who'd have thought.
BTW, I am interested to discover that the inspiration for all those limericks is apparently TS Eliot. Who'd have thought.
there was an old banker called T
who wrote lots of poems you C
he also liked Cats
etherized on their mats
and threw handsful of dust in the Z
who wrote lots of poems you C
he also liked Cats
etherized on their mats
and threw handsful of dust in the Z
Hands down 'Out Of The Blue' by Simon Armitage... The last line just links in with the whole theme and does justice for me. http://www.scottishpoetrylibrary.org.uk/poetry/poems/out-blue-12
(edited 9 years ago)
Original post by Fullofsurprises
I like it that Birkenhead is in no way predictably old-fogeyish and that his choices would never be approved of by Jacob Rees-Mogg, whom I sometimes suspect him of actually being. 
Original post by the bear
Pedantic? Moi?
Nice to be reminded anyway.
Original post by oskarwithak
The Waste Land, by T.S. Eliot
Because it does exactly what Eliot said that good poetry does: It affects you before you even understand what it means.
(Also shout out to The Walrus and the Carpenter. Crazy awesome stuff.)
Because it does exactly what Eliot said that good poetry does: It affects you before you even understand what it means.
(Also shout out to The Walrus and the Carpenter. Crazy awesome stuff.)
^^^This!
My favourites are The Waste Land - T.S. Eliot and Brand New Ancients - Kate Tempest (though idk if that counts, I suppose it's more of a play written as poetry?). Also 'next to of course god america i' - E.E. Cummings.
Original post by Fullofsurprises
I like it that Birkenhead is in no way predictably old-fogeyish and that his choices would never be approved of by Jacob Rees-Mogg,
The 2nd Earl of Birkenhead was a great admirer of Kipling and wrote his biography, so in the likely event that Rees-Mogg admires Birkenhead he must also bend to Kipling, or at least keep his silence on him.
Absuuurd! Aharharhar, just absuuurd *ahem*
another wonderful poem is Rupert Brooke's The Old Vicarage:
i thought that a lilac font would work well
The Old Vicarage, Grantchester
Cafe des Westens, Berlin, May 1912)
Just now the lilac is in bloom,
All before my little room;
And in my flower-beds, I think,
Smile the carnation and the pink;
And down the borders, well I know,
The poppy and the pansy blow . . .
Oh! there the chestnuts, summer through,
Beside the river make for you
A tunnel of green gloom, and sleep
Deeply above; and green and deep
The stream mysterious glides beneath,
Green as a dream and deep as death.
— Oh, damn! I know it! and I know
How the May fields all golden show,
And when the day is young and sweet,
Gild gloriously the bare feet
That run to bathe . . .
'Du lieber Gott!'
Here am I, sweating, sick, and hot,
And there the shadowed waters fresh
Lean up to embrace the naked flesh.
Temperamentvoll German Jews
Drink beer around; — and THERE the dews
Are soft beneath a morn of gold.
Here tulips bloom as they are told;
Unkempt about those hedges blows
An English unofficial rose;
And there the unregulated sun
Slopes down to rest when day is done,
And wakes a vague unpunctual star,
A slippered Hesper; and there are
Meads towards Haslingfield and Coton
Where das Betreten's not verboten.
ειθε γενοιμην . . . would I were
In Grantchester, in Grantchester! —
Some, it may be, can get in touch
With Nature there, or Earth, or such.
And clever modern men have seen
A Faun a-peeping through the green,
And felt the Classics were not dead,
To glimpse a Naiad's reedy head,
Or hear the Goat-foot piping low: . . .
But these are things I do not know.
I only know that you may lie
Day long and watch the Cambridge sky,
And, flower-lulled in sleepy grass,
Hear the cool lapse of hours pass,
Until the centuries blend and blur
In Grantchester, in Grantchester. . . .
Still in the dawnlit waters cool
His ghostly Lordship swims his pool,
And tries the strokes, essays the tricks,
Long learnt on Hellespont, or Styx.
Dan Chaucer hears his river still
Chatter beneath a phantom mill.
Tennyson notes, with studious eye,
How Cambridge waters hurry by . . .
And in that garden, black and white,
Creep whispers through the grass all night;
And spectral dance, before the dawn,
A hundred Vicars down the lawn;
Curates, long dust, will come and go
On lissom, clerical, printless toe;
And oft between the boughs is seen
The sly shade of a Rural Dean . . .
Till, at a shiver in the skies,
Vanishing with Satanic cries,
The prim ecclesiastic rout
Leaves but a startled sleeper-out,
Grey heavens, the first bird's drowsy calls,
The falling house that never falls.
God! I will pack, and take a train,
And get me to England once again!
For England's the one land, I know,
Where men with Splendid Hearts may go;
And Cambridgeshire, of all England,
The shire for Men who Understand;
And of THAT district I prefer
The lovely hamlet Grantchester.
For Cambridge people rarely smile,
Being urban, squat, and packed with guile;
And Royston men in the far South
Are black and fierce and strange of mouth;
At Over they fling oaths at one,
And worse than oaths at Trumpington,
And Ditton girls are mean and dirty,
And there's none in Harston under thirty,
And folks in Shelford and those parts
Have twisted lips and twisted hearts,
And Barton men make Cockney rhymes,
And Coton's full of nameless crimes,
And things are done you'd not believe
At Madingley on Christmas Eve.
Strong men have run for miles and miles,
When one from Cherry Hinton smiles;
Strong men have blanched, and shot their wives,
Rather than send them to St. Ives;
Strong men have cried like babes, bydam,
To hear what happened at Babraham.
But Grantchester! ah, Grantchester!
There's peace and holy quiet there,
Great clouds along pacific skies,
And men and women with straight eyes,
Lithe children lovelier than a dream,
A bosky wood, a slumbrous stream,
And little kindly winds that creep
Round twilight corners, half asleep.
In Grantchester their skins are white;
They bathe by day, they bathe by night;
The women there do all they ought;
The men observe the Rules of Thought.
They love the Good; they worship Truth;
They laugh uproariously in youth;
(And when they get to feeling old,
They up and shoot themselves, I'm told) . . .
Ah God! to see the branches stir
Across the moon at Grantchester!
To smell the thrilling-sweet and rotten
Unforgettable, unforgotten
River-smell, and hear the breeze
Sobbing in the little trees.
Say, do the elm-clumps greatly stand
Still guardians of that holy land?
The chestnuts shade, in reverend dream,
The yet unacademic stream?
Is dawn a secret shy and cold
Anadyomene, silver-gold?
And sunset still a golden sea
From Haslingfield to Madingley?
And after, ere the night is born,
Do hares come out about the corn?
Oh, is the water sweet and cool,
Gentle and brown, above the pool?
And laughs the immortal river still
Under the mill, under the mill?
Say, is there Beauty yet to find?
And Certainty? and Quiet kind?
Deep meadows yet, for to forget
The lies, and truths, and pain? . . . oh! yet
Stands the Church clock at ten to three?
And is there honey still for tea?
Cafe des Westens, Berlin, May 1912)
Just now the lilac is in bloom,
All before my little room;
And in my flower-beds, I think,
Smile the carnation and the pink;
And down the borders, well I know,
The poppy and the pansy blow . . .
Oh! there the chestnuts, summer through,
Beside the river make for you
A tunnel of green gloom, and sleep
Deeply above; and green and deep
The stream mysterious glides beneath,
Green as a dream and deep as death.
— Oh, damn! I know it! and I know
How the May fields all golden show,
And when the day is young and sweet,
Gild gloriously the bare feet
That run to bathe . . .
'Du lieber Gott!'
Here am I, sweating, sick, and hot,
And there the shadowed waters fresh
Lean up to embrace the naked flesh.
Temperamentvoll German Jews
Drink beer around; — and THERE the dews
Are soft beneath a morn of gold.
Here tulips bloom as they are told;
Unkempt about those hedges blows
An English unofficial rose;
And there the unregulated sun
Slopes down to rest when day is done,
And wakes a vague unpunctual star,
A slippered Hesper; and there are
Meads towards Haslingfield and Coton
Where das Betreten's not verboten.
ειθε γενοιμην . . . would I were
In Grantchester, in Grantchester! —
Some, it may be, can get in touch
With Nature there, or Earth, or such.
And clever modern men have seen
A Faun a-peeping through the green,
And felt the Classics were not dead,
To glimpse a Naiad's reedy head,
Or hear the Goat-foot piping low: . . .
But these are things I do not know.
I only know that you may lie
Day long and watch the Cambridge sky,
And, flower-lulled in sleepy grass,
Hear the cool lapse of hours pass,
Until the centuries blend and blur
In Grantchester, in Grantchester. . . .
Still in the dawnlit waters cool
His ghostly Lordship swims his pool,
And tries the strokes, essays the tricks,
Long learnt on Hellespont, or Styx.
Dan Chaucer hears his river still
Chatter beneath a phantom mill.
Tennyson notes, with studious eye,
How Cambridge waters hurry by . . .
And in that garden, black and white,
Creep whispers through the grass all night;
And spectral dance, before the dawn,
A hundred Vicars down the lawn;
Curates, long dust, will come and go
On lissom, clerical, printless toe;
And oft between the boughs is seen
The sly shade of a Rural Dean . . .
Till, at a shiver in the skies,
Vanishing with Satanic cries,
The prim ecclesiastic rout
Leaves but a startled sleeper-out,
Grey heavens, the first bird's drowsy calls,
The falling house that never falls.
God! I will pack, and take a train,
And get me to England once again!
For England's the one land, I know,
Where men with Splendid Hearts may go;
And Cambridgeshire, of all England,
The shire for Men who Understand;
And of THAT district I prefer
The lovely hamlet Grantchester.
For Cambridge people rarely smile,
Being urban, squat, and packed with guile;
And Royston men in the far South
Are black and fierce and strange of mouth;
At Over they fling oaths at one,
And worse than oaths at Trumpington,
And Ditton girls are mean and dirty,
And there's none in Harston under thirty,
And folks in Shelford and those parts
Have twisted lips and twisted hearts,
And Barton men make Cockney rhymes,
And Coton's full of nameless crimes,
And things are done you'd not believe
At Madingley on Christmas Eve.
Strong men have run for miles and miles,
When one from Cherry Hinton smiles;
Strong men have blanched, and shot their wives,
Rather than send them to St. Ives;
Strong men have cried like babes, bydam,
To hear what happened at Babraham.
But Grantchester! ah, Grantchester!
There's peace and holy quiet there,
Great clouds along pacific skies,
And men and women with straight eyes,
Lithe children lovelier than a dream,
A bosky wood, a slumbrous stream,
And little kindly winds that creep
Round twilight corners, half asleep.
In Grantchester their skins are white;
They bathe by day, they bathe by night;
The women there do all they ought;
The men observe the Rules of Thought.
They love the Good; they worship Truth;
They laugh uproariously in youth;
(And when they get to feeling old,
They up and shoot themselves, I'm told) . . .
Ah God! to see the branches stir
Across the moon at Grantchester!
To smell the thrilling-sweet and rotten
Unforgettable, unforgotten
River-smell, and hear the breeze
Sobbing in the little trees.
Say, do the elm-clumps greatly stand
Still guardians of that holy land?
The chestnuts shade, in reverend dream,
The yet unacademic stream?
Is dawn a secret shy and cold
Anadyomene, silver-gold?
And sunset still a golden sea
From Haslingfield to Madingley?
And after, ere the night is born,
Do hares come out about the corn?
Oh, is the water sweet and cool,
Gentle and brown, above the pool?
And laughs the immortal river still
Under the mill, under the mill?
Say, is there Beauty yet to find?
And Certainty? and Quiet kind?
Deep meadows yet, for to forget
The lies, and truths, and pain? . . . oh! yet
Stands the Church clock at ten to three?
And is there honey still for tea?
i thought that a lilac font would work well
(edited 9 years ago)
The Raven by Edgar Allan Poe 
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