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The first half of the solo has both hands play the same thing an octave apart, but I don't think that sounds quite as good without the drum backing. Playing a simplified left hand at first - as sheets suggest you should - and then playing octaves apart just for the second half helps to sustain the climactic peak (in the absence of drums) you reach at the start of the solo. But at the same time, having loved the track for years it feels wrong to play any of it simplified
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The Space Dementia-esque first-note-of-the-bar low notes don't sound right either. Matt can afford to go for a mid-low reach (using technical terminology ) because Chris' bass delivers the deep thump, but unless Chris fancies retiring and dueting with me full time I can only really go for the very bottom notes (again, as the sheets suggest). But piano and bass sound really quite different. Arghhhh.
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The piano-drum interplay in the closing is also reallllly hard to replicate. Again I think I'm going to have to fiddle about with it a bit to get it sounding right
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