Original post by IcantthinkofausernI've an English Literature exam coming up, therefore please could someone help me with the poems. Firstly:
04/01/07
The rhyme scheme is ABAB. It's not written in a coherent meter, but most lines fit into either the category of either iambic pentameter or eleven-syllable lines.
The telephone shatters the night’s dark glass.
Here we have the sense of the protagonist being constrained by the night. One could interpret the glass to be enclosing him, and the telephone then managed to bring both the reader and protagonist to reality - hence increasing our attention to what follows.
I’m suddenly awake in the new year air
This is an interesting juxtaposition to what follows. The concept of 'new year' implies rebirth and regeneration - but what happens next is the complete converse of regeneration. In fact, he is deadened by what occurs; what he hears.
And in the moment it takes a life to pass
Another juxtaposition of a short moment in time being extended into a period of far longer for rhetorical effect. The concept of a 'life passing' suggests a death, or ageing, occurring as a result of what he's hearing. In addition, the enjambment of this line and the next adds to the sense of a long time passing. The use of emphatic placement of the verb choice 'pass' emphasises the transience of the time in this stanza.
From waking to sleeping I feel you there.
This is a contrast to the first line; as opposed to being awakened by the interruption, the protagonist is almost deadened by his loss. The double use of verb 'waking to sleeping' implies the way in which these two states are completely governed by one issue; that is, 'feeling' them there. The selection of the verb choice 'feel' only serves to highlight the sense of loss; 'feeling' is essentially intangible in this context, and it serves to drive home the loss of tangible sensation.
My brother’s voice that sounds like mine
This obviously suggests the similarity between the protagonist and his brother, but the lexical choice 'mine' also connotes possessiveness. It gives a reader the sense that, through using the word 'mine', he is grasping for anything familiar, anything that can give him a sense of self - which in turn emphasises the dissolution that is occurring in his psyche.
Gives me the news I already knew.
Outside a milk float clinks and shines
And a lit plane drones in the night’s dark blue,
I think that the preceding lines serve to show the mundane nature of death, in a wider context. I know this seems like an odd idea, but I think that the writer's use of the intrusion of these standard facets of human life are seen as mundane by the reader? Is this to imply that the death is equally mundane, or is it done to suggest that the reader is noticing these objects to try and tether himself to reality, normality, against his surreal thoughts.
And I feel the tears slap my torn face;
Slap is a violent verb obviously, and little needs to be said about this. Far more interesting is the concept of 'torn face'; the face is the seat of emotion, and that it is torn implies that the same thing has happened to his emotions; that is, they are surreal and fragmented.
The light clicks on. I rub my eyes.
I’m trapped inside that empty space
You float in when your mother dies.
Feeling that the story ends just here,
The stream dried up, the smashed glass clear.
The couplet at the end is abrupt, and this can be seen as allegorical for the way in which his story, like his mother's life, has had an abrupt ending. There is an alteration to past tense in the last couplet in the verb choices, implying that, for the protagonist, he is encapsulated by his past now.
Ian McMillan
Could you discuss the language, Form, Imagery, Rhythm and Tone.
Thank you very much!
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