I'm going to be very interested in seeing it at 48fps. I have a sneaking suspicion it will be a little like the first time I saw Public Enemies in the cinema. That was shot in a HD digital format that looked so unlike 35mm that it initially looks really jarring - the backdrops pop out of the screen in a way that you think doesn't look real, whereas in reality what is happening is that it doesn't look like other films, which are actually quite far removed from an accurate picture a lot of the time. But you sink into it, and by the end of the film I really appreciated the visuals, which planted you in the film to a much better extent than most period films could dream of managing. If you only saw ten minutes of it though you'd probably think it looked pretty weird too.