Original post by ?HannahPlease may you read this paragraph?
Last of all, Soyinka and Angelou intertwine vivid language techniques within their poems, painting the great magnitude of the intensity of emotion in relation to prejudice and intolerance. ‘Telephone Conversation,’ uses powerful symbolism to reveal the absurdity of racism, referring to British figures - seeming to only exist and be found in England. Through the voice’s reference of seeing a ‘Red booth. Red pillar-box. Red double-tiered omnibus squelching tar,’ a panoramic sensory overload concerning the surroundings and colour is displayed. In addition, the image of ‘Red double-tiered omnibus squelching tar’ is symbolic to how the dominating British, white community, represented by the ‘omnibus’ would emotionally bully those belonging to the minor black one: ‘squelching tar,’ purposefully allowing them to feel intimidated and inferior. As a result of Britain being a natively white society, the voice may associate the colour ‘red’ and British symbols to the emotional danger, terror and disturbance of intolerance; thus implicitly highlighting the underlying, extreme mental discomfort of the black man. This extreme mental discomfort is the typical, humanistic response to such oppression. Even though the voice seems to have migrated over to Britain and so feels unease, he still manages to explicitly display overlying extreme stamina and self-assurance in his fight against intolerance. Perhaps, the voice may feel ostracised and out of place, threatened by fear of having to continuously experience known racism in his new home, targeted by whites who regularly distressed blacks in their minority. However, the voice is able to show such strength in the face of intolerance due to the realisation that it is the whites whom are in the wrong, being prejudiced towards the blacks for no acceptable reason – with the black man knowing that society should be treated equally. Therefore, images like ‘Red booth’ represent the ridiculous nature of intolerance in that it was a rather common occurrence in England - just by seeing the British symbols is enough for the voice to feel slightly afraid and associate Britain with prejudice. Both ‘Telephone Conversation’ and ‘Still I Rise’ assign battle lexis to ‘surrender’ and ‘shoot,’ creating a semantic field of a fight, implying how prejudice places people directly against one another, regarding to views on racism, morale and their actions. Correspondingly, Angelou also intertwines vivid imagery within ‘Still I Rise,’ cleverly able to create a striking contrast between past and present. By creating a silhouette of defeat, the voice appears to appeal to the readers’ sensual insight of sight; by the ‘shoulders falling down’ and ‘lowered eyes’ implying failure and perhaps disappointment in regarding brutality of the black past. Alternatively, with the ‘soulful cries’ adding gravitas to this image by the addition of an aural layer, the reader is able to use their senses to not only see the impact of past defeat, but are also able to hear it. This comparison between past and present is further magnified through the personification of the voice having described the ‘Past’ as being ‘rooted in pain.’ This phrase provides human assets to ‘the past,’ which creates a striking contrast of the difficult times with its sufferings and limitations to the great, emotional joys of the future