If you dont understand it and see it, basically it's interlinked storylines that connect in the end:
4 countries, 4 stories that end in tragedy :\
But not in vain it's good.
Pitt and Blanchett are husband and wife. And they go to Morocco for holiday after a fight cuz he cheated on her. Well they leave their kids wth their Mexican nanny in US. She needs to go to Mexico for her only son's wedding. But she has no US visa, she is illegal. Something bad happens to her in Mexico, can she come back to US...do the kids make it back to US...? You'll see
She would've been able to go just fine but Pitt is stuck in Morocco because Blanchett was hurt, won't say how. So she crosses the border...So now the international police need to track down the owner of the gn to see if it's a terrorist militia...The owner is a good dude in Japan, and his troubled deaf daughter is examined throughout the film because the owner ignores her :\ Well their stories all revolve around guns and how if there was no gun in the 1st place this wouldn't have happened to any of them...
did they only sit throuh the 1st 30 minutes...lol they had to really show how bad he was, how bad everyone around him was, to see his redemption and reform later. That made it powerful. The time it was made too was necessary. US in the early 90s was a mess...
If you dont understand it and see it, basically it's interlinked storylines that connect in the end:
4 countries, 4 stories that end in tragedy :\
But not in vain it's good.
Pitt and Blanchett are husband and wife. And they go to Morocco for holiday after a fight cuz he cheated on her. Well they leave their kids wth their Mexican nanny in US. She needs to go to Mexico for her only son's wedding. But she has no US visa, she is illegal. Something bad happens to her in Mexico, can she come back to US...do the kids make it back to US...? You'll see
She would've been able to go just fine but Pitt is stuck in Morocco because Blanchett was hurt, won't say how. So she crosses the border...So now the international police need to track down the owner of the gn to see if it's a terrorist militia...The owner is a good dude in Japan, and his troubled deaf daughter is examined throughout the film because the owner ignores her :\ Well their stories all revolve around guns and how if there was no gun in the 1st place this wouldn't have happened to any of them...
Alright alright brace yourself but i haven't seen it... BUT i've meant to for while. It's by Alejandrogonzalo... director of Birdman and Revenant so i take you're promise that it's worth it as the absolute truth. Plus if there's a guy who loves that non-linear multi coverging narrative **** it's me.. Magnolia and Pulp Fiction ripped my face off of my face. Thanks for you're recommendation man ill give it a look tomorrow
the swedish one was all right, why'd you not like it? I think there's an american version but I dont like the girl.
Lmao Amelie was just...it can't be considered a classic JUST because it had that colouring the film was dead and unfunny. Actually what was it about again? lol A weird...woman..virgin? ...falls for this...dude..while...trying to do...something?? lmao
I found it very boring, although I did like the story, I didn't like the way it was told.
lol, I fell asleep twice watching amelie, I remember it being about a sheltered girl who finds this weird guy who collects pictures or something along those lines.
Anything about US and catching terrorists. They are **** boring and lies.
Anything about being black. Like The Help. Precious. Just so
Anything about space like Interstellar, Gravity (they are literally the same: dude and chick floating around. Actually I didn't see either, maybe they're diff but I am 100% not interested blegh)
Anything with Leonardo Da Vinci Cappucino in it
On the flip side why has no one from Harry Potter got awards for starring in that :'(
I found it very boring, although I did like the story, I didn't like the way it was told.
lol, I fell asleep twice watching amelie, I remember it being about a sheltered girl who finds this weird guy who collects pictures or something along those lines.
I tried really hard to get through Amelie. I even searched on sky cable to see if it was gonna come on again just so I can finally watch it withut turning it off. I ended up watching porn.
Alright alright brace yourself but i haven't seen it... BUT i've meant to for while. It's by Alejandrogonzalo... director of Birdman and Revenant so i take you're promise that it's worth it as the absolute truth. Plus if there's a guy who loves that non-linear multi coverging narrative **** it's me.. Magnolia and Pulp Fiction ripped my face off of my face. Thanks for you're recommendation man ill give it a look tomorrow
Lol I just love it man
Oh is that so...? Didn't know that, sometimes that director is hit and miss. I'm not sure if he did this film Biutiful with Javier Bardem but..it was bad...too much not enough...a story about Asians, African and white interlink again in Biutiful...and it seems like it was the Alejandro dude and he wanted to top himself with Babel and couldn't or...a horrible copycat..I will google to see if he did direct Biutiful...and if he did well...yea lol thought so. Oh man Tarantino one of the greatest directors man. Haven't seen Pulp Fiction like a div but apparently it's a classic. Resevoir Dogs, Jackie Brown, he also did those I think and yea it's very back and forth which is nice.
I'm not talking about popular movies here but movies which won awards, Oscars and revieved high ratings on rotten tomatoes or imdb
For me its the one who flew over the cuckoos nest It was a complete bore fest, I actually don't mind slow paced movies but I felt like nothing significant happened on the movie The main character was an a hole and people say the movie was meant to be symbolic of male oppression but it was so boring uninteresting and I didn't enjoy it one bit Posted from TSR Mobile
For me it's the "Eternal sunshine of the spotless mind", has two of my favourite actors in it but I was so disappointed. I found it confusing and I couldn't appreciate the deeper meaning the director was trying to get at.