is this okay?
In the following extract, Shakespeare explores different language techniques such as tone, actions, juxtaposition, vivid imagery and rhetoric to amplify the growing sense of tension and suspense in the eroding relationship between Hamlet and Gertrude. He refers to Gertrude as ‘Mother’ in a harsh and defiant tone- he questions her and reminds her of her duties as ‘’…the queen, your husband's brother's wife’’ and his mother. This technique expresses the violence of his feelings and piling this on top of each other shows the heightened impact of his words. This lays the foundation for Polonius’ murder and in turn foreshadows the death of Claudius. This scene is important in the development of the whole play as this ‘rash and bloody deed’ turns his delay into action.
This scene begins with an atmosphere of unease and fear. Hamlet is frustrated with his mother evidently in the quote ‘’what’s the matter?’’; this suggests her concerns are bothersome to him. The use of the word ‘now’ infers that the time of the whole play is questionable which leads to the unexpected turn and drive of the plot. He is shifting the attention away from his reasoning of delay to her ‘incestuous’ and hasty marriage. This is inconvenient, as he hasn’t decided on a fate yet. The word ‘mother’ is emphasized and has a lot of sarcastic and ironic implications as it is the only thing certain in the play to which he responds ‘’And were it not so! - You are my mother’’ further connoting his disassociation with her affection yet nature forces him to have the affiliation with her. Evidently, Hamlet has an unhealthy obsession with her sexual life, which is categorized by Oedipal desires as a failure to control his sexual tension towards his mother and the desire to kill Claudius.
Shakespeare uses different rhetoric techniques to convey the unease and increasing violence in this scene. One of them is the juxtaposition of Gertrude’s instruction ’come, come..’’ to which Hamlet demands with the same enthusiasm ‘’Go, go…’’ highlighting the seriousness of the scene in a rather comic yet melancholic tone. He responds to her signals to make her understand his intentions in this way. His reply has a sense of helplessness as he rejects her invitation to accept her sinful life. The lack of rhyme here suggests a sense of detachment and instability, which may be the root of his insanity. In reference to his use of the word ‘wicked’, he may be implying that she is the devil's advocate, which causes him to have such a strong reaction. Hamlet breaks his promise that he will speak daggers to her but will use none as he insists that he will give her a glass ‘to see the innermost part of you’’. He possibly sees hope in her and thus invites her to see what she has shown she cannot. She takes this in a literal sense to mean a body away from its soul. Gertrude feels intimidated as she cries for help. Polonius replies in conjunction to her cry to respond sensitively. Thereby Shakespeare has used vivid imagery and irregular rhymes to portray his distaste for his mother’s incestuous relationship. Hamlet goes as far as calling her a prostitute and thus showing their distant and eroding relationship.
Shakespeare uses stichomythia in this crude colloquial dialogue to convey the dramatic effect of the breathless tension of the scene as his sentences become shorter. Hamlet echoes her lines. Gertrude mentions that he has ‘’offended thy father’’ to which he confronts and replies ‘you have my father much offended’’. This has significance as Shakespeare uses the possessive pronoun ‘my’ to show Hamlets insistence and his strong philosophical argument. To add to this, Hamlet responds to her comment of ‘’idle tongue’’ with ‘wicked tongue’ implying that she is morally wrong to be in such ‘damned custom’’ whereas she only mentions that he is foolish and devoid of meaning. This is not a standard idiom. It implies that her black heart impedes her vision thereby refusing her sight of loving her husband. The quote ‘‘as kill a king’’ is full of surprise. Thus he advises her to ‘leave the wringing of your hands’’ this suggests that Hamlet is echoing her innocence and proves that he is becoming increasingly dismissive of her as she reveals her innocence. This foreshadows that she eventually begins to trust her son more than Claudius. Aristotle states that a person must act as if they have always been what they want to be to achieve their goal and in a sense, this is what Gertrude is doing. Shakespeare presents Hamlet as being very direct with her but he can’t trust her because of her betrayal. She questions him by asking ‘have you forgotten me?’’ This shows her own emotional distress, she takes the role of being his mother once more as she shows a change in her affection towards him and as if she had never stopped showing it, she demands respect or she will send to speak to him those he will respect.
Shakespeare uses listing frequently in this scene and repetition to express the violence of Hamlet's feelings and the heightened impact of his words. He reminds her of her duties to him as his mother, his father’s wife, and the queen. By engaging in this sinful relationship she is being self-centered and representative of the corruption of Denmark. In the quote ‘proof and bulwark’’ to match her doubling of ‘rash and bloody’’, Shakespeare makes it clear that he thinks of her as a prostitute but has become increasingly dismissive as she has proven her innocence in the exclamation full of surprise’ As kill a king!’’ In addition to this, he shows that despite the recent murder he continues to be intimidating and echoes her speech. Hamlet shows no remorse for the murder and states ‘Thou wretched, rash, intruding fool, farewell!’’ Shakespeare uses listing here to emphasize his relief that he has killed him. He puts the blame on Polonius and by stating ‘take thy fortune’ forcing the acceptance of his murder. This death neither intensified nor decreased his tension proving that it was solely his failure to control his Oedipal desires, which has the power to provoke him.
Overall, to examine Shakespeare’s use of language and its dramatic effect in Act 3 scene 4, as readers we need to understand that this scene marks the tragic death of Polonius and the development of the play as Hamlets uncertainty is destroyed by impulsiveness-this leads to the bloodbath of act 5. Hamlet quotes ‘My thoughts be bloody or be worth nothing’ to portray the seriousness of this turning point and to emphasize the dilemma he is in. The closet scene marks the development of the plot of the whole play as Shakespeare uses stichomythia, juxtaposition and vivid imagery to convey the increasing dramatic tensions in this scene and the distant and cold relationship with his mother, Gertrude.