Hey, i'm trying to find examples of scenic repetition in twelfth night, similar to Much Ado About Nothing and the two eavesdropping scenes with Benedick and Beatrice. Do these exist in Twelfth Night? Thinking about the various trips Cesario makes to Olivia relaying Orsino's message, but not sure if that's right?
I'm basically trying to show that Shakespeare consistently uses the same techniques to present emotional relationships, but only to highlight the inconsistency in emotional relationships. (e.g. the eavesdropping scenes highlight how easily Benedick and Beatrice change their views on each other, and how Olivia says she will never marry until Cesario comes along).
... and the ones that won't