Film studies is harder than literature or the hard sciences. In literature, you are writing words about words. In science you are dealing with math and the quantifiable. It is vastly harder to analyze what is not in words or numbers. Studying words is just language games. Studying numbers is just chopping things up into categories. Therefore, studying human beings in their beingness and studying culture in all its word and non-word, and non-number, complexity, is the hardest and most complex field in academia. The scientist E. O. Wilson made this point in his book reviewing the academic fields of knowledge. Human culture is the most all-encompassing and complex entity in the universe.The point is to try to know and understand the world. Limiting yourself to words and numbers is limiting. Those who take on film studies and cultural scholarship take on a much harder subject field. One that approaches human life in an all-encompassing way. Life as it really is.Reducing life from what it is to words and numbers is a smaller, narrower, and thus easier approach.If you describe a person with scientific data, or with word descriptions, you are always removed from the actual person. Seeing them in person or through film, in real space and time, removes that distance. The object experienced in-and-of-itself. A person with their look, body language, physical movement, tone of voice, delivery is the real object, experienced directly and without distance, and communicates much more than words or numbers can account for.How easy or hard some course is graded tells you nothing about the subject field itself. It only tells you about current academic culture. It is arbitrary, not necessary. Any course, in any field, can be designed so 3 get As and half the class flunks out, if it wants to. What is useful to society is also culture-specific and arbitrary. A culture decides if gathering more data is valued, or if gather more insight is valued. It is not a feature of the subject matter itself.