The Student Room Group

Question 3 - Grade 7 ABRSM Theory

Hi, can anyone recommend me a book/website on continuing a melody (Question 3b)? I was thinking of getting this book, but it's kind of expensive and I'm not sure whether it's completely relevant/helpful to the syllabus or not.

Can anyone share tips with me? I find that the melodies I have written are awfully boring and lack originality (they're mostly repetitions, sequences etc.). Sigh~ And there's the dreaded exam in March, and I'm not ready! :eek:

Reply 1

I have never read or heard anything about that book but I would personally stay away from it because it has nothing to do with the ABRSM style tests. Do you have any workbooks by the ABRSM? There is a good one called "Theory Workbook Grade 7 by Anthony Crossland and Terence Greaves". That's the main one I have. I don't want to put down the composition aspect of the exams, but it's very subjective, and melodies that get decent marks aren't always the ones that you think are amazing! I wrote an awful one for my grade 6 theory, just repeated bars 1-2 slightly differently in 3-4, inverted them in 5-6 and made sure I used the standard perfect cadence chord progression in the last 2 bars! I got 17/20 :biggrin:. A doddle! They do look for originality in the composition etc but if you use standard techniques like inversions, appropriate chord progressions, sequences etc then in my opinion you cannot go far wrong. It's not really like music it's more just learning a series of techniques and using them, I know many people who do what I do and they all get high marks. Don't try to make it complicated, you're not there to be the next Mozart, use the techniques and play the stupid game back with them :biggrin:. Oh yes, and add in random dynamics and articulation too :p:

Even the theory workbook I recommended goes into far far too much detail for my liking, I never practise composition for a theory exam, I just go by my formula! You might not want to though, and I'm waffling and I doubt any of this makes sense!

Reply 2

I really do hate AB theory, esp the continuation excercises - supposed to be doing Grade 8 this year - but really cba with getting round to it!

Reply 3

sexysax
I have never read or heard anything about that book but I would personally stay away from it because it has nothing to do with the ABRSM style tests. Do you have any workbooks by the ABRSM? There is a good one called "Theory Workbook Grade 7 by Anthony Crossland and Terence Greaves". That's the main one I have. I don't want to put down the composition aspect of the exams, but it's very subjective, and melodies that get decent marks aren't always the ones that you think are amazing! I wrote an awful one for my grade 6 theory, just repeated bars 1-2 slightly differently in 3-4, inverted them in 5-6 and made sure I used the standard perfect cadence chord progression in the last 2 bars! I got 17/20 :biggrin:. A doddle! They do look for originality in the composition etc but if you use standard techniques like inversions, appropriate chord progressions, sequences etc then in my opinion you cannot go far wrong. It's not really like music it's more just learning a series of techniques and using them, I know many people who do what I do and they all get high marks. Don't try to make it complicated, you're not there to be the next Mozart, use the techniques and play the stupid game back with them :biggrin:. Oh yes, and add in random dynamics and articulation too :p:

Even the theory workbook I recommended goes into far far too much detail for my liking, I never practise composition for a theory exam, I just go by my formula! You might not want to though, and I'm waffling and I doubt any of this makes sense!

My teacher has already given me different texts from different books compiled into one. The examples given in the book is pretty okay, but the thing is, I just don't know how to turn my dry melody into a better one by adding melody decorations etc. I feel like the more I practice, the more cliched it looked! :biggrin:

Thanks for the tips, it sure helps a lot! And thanks for saving my $$$ :p:

Reply 4

I didn't use any melodic decorations in mine. Ok if we're calling passing notes a decoration then I probably did, but I didn't use any ornamentation or anything like that. Do you have a melody you could put up to show me, or you can email it to me or something? That would help more :biggrin:.