I'm writing an essay for Spies and my last essay wasn't too great. I'm an AS' student. The passage I have to use is page 168 from 'And now everything has changed...' to '...silence under the elders' at the start of page 169. If anyone could give me any tips, I would really appreciate it. This is my introduction, with essay title. I have the first paragraph which I may also post as well if my essay is really bad!
-Thanks.
‘An important theme in “Spies” is that of sexual awakening. Discuss using the passage below’
In this passage, Stephen’s sexual awakening is very central and prominent. The reoccurrence of sexual awakening in this novel has accumulated meanings clustered around this leitmotif. This theme, therefore, has connections with other parts of the novel. The scene is of Stephen and Barbara Berrill in the privet bush. This part of the story reveals “Lamorna” to be linked to Stephen growing sexually aware – it is this memory which partly evokes what troubles the narrator at the beginning of the book; making this theme a poignant aspect in “Spies”. These memories of the narrator are recollected, often punctuated by pauses, corrections and digressions. Michael Frayn often does this to create the effect that the narrator is having difficulty remembering precisely what happened. In the passage, the narrator writes of the past events in first person, describing, as the events unfold, of the scene between Stephen and Barbara. There are no conceits used in the passage indicating the memory is clear and also the language is lucid. As readers, the immediacy of the scene – from being in present tense – creates dramatic tension therefore we get more involved in the events of Stephen.
Adolescence is usually associated with sexual awakening; a personal experience from which the transition from child to adult occurs. It is one certain aspect of life which a child has to go through alone; there is no possibility of simply following someone else. For the narrator, this memory in the passage seems to be the one which is most important in his development, it is written in first person implying that the narrator is not having difficulty remembering the events; this is supported by Michael Frayn’s narrator omitting conceits – ellipsis have been used, as mentioned before to indicate a lapse in memory. “Lamorna” seems to have a liberating experience on narrator, causing him to have images of a ‘distant land across the sea, blue on the blue horizon. The sighing of the trees.’ This feeling of euphoria is represented earlier in the chapter as a ‘soaring sensation’ giving readers an image of flight, perhaps even a bird, reinforced by Stephen feeling a ‘sense of freedom.’ He continues ‘I’m longer bound by the rules and restrictions of childhood.’ This inextricably links with the event in the tunnel in the previous chapter which marks the beginning of the end of his childhood and chapter eight develops the start of his sexual awakening with Barbara Berrill. However, for Stefan, it brings about ‘a little of the terror of the Lanes in it…and the silence of the elders.’ The Lanes, for Stephen, appears, to be a place out of bounds, it is outside of the Close and outside of his comfort zone. To go there – especially alone – is something he fears and dreads. The image of the Close is one where there is a circle: a continuous, protective shield, representing a never-ending childhood, where Stephen has to break out of to experience adulthood. However, for Stephen to get through into the Lanes, he has to first go into the tunnel. At the end of chapter seven, Stephen decides to go towards the Barns. He collides with Mrs Hayward as he enters the tunnel his ‘face (is) buried in a soft confusion of bosoms, and (they) dance precarious tango together…’ The tunnel and Stephen’s interaction - the physical contact between Mrs Hayward and Stephen - could be the narrator’s understanding of sexual experience. Afterwards, her dress is ‘streaked with green slime.’ She ends chapter eight thanking Stephen ‘humbly’ indicating that Stephen is no longer a child but an adolescent