Samii.A
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So.. I got this essay due on Monday on Othello and his change in character up to act 4 scene 2. I have my thesis statement and my three points (his hamartia, change of language and gullibility) but I cant find any quotations on these three points! I have looked everywhere but cant seem to find the right ones.. Immediate Help is needed here!!

Question is How has Othello changed throughout the play so far?

Thesis statement is 'throughout the play, Othello’s character has drastically changed from an eloquent and charismatic soldier to an offensive and misogynistic patriarch. The juxtaposition between his presentation in Act 1 scene 3 and Act 4 scene 2 is clearly evident in the language he uses to speak to Desdemona, he transitions from complementing to insulting her.'
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zainwaraich123
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(Original post by LadySophia22)
So.. I got this essay due on Monday on Othello and his change in character up to act 4 scene 2. I have my thesis statement and my three points (his hamartia, change of language and gullibility) but I cant find any quotations on these three points! I have looked everywhere but cant seem to find the right ones.. Immediate Help is needed here!!

Question is How has Othello changed throughout the play so far?

Thesis statement is 'throughout the play, Othello’s character has drastically changed from an eloquent and charismatic soldier to an offensive and misogynistic patriarch. The juxtaposition between his presentation in Act 1 scene 3 and Act 4 scene 2 is clearly evident in the language he uses to speak to Desdemona, he transitions from complementing to insulting her.'
Let me give you an example essay I just wrote for you g

OK // I will make 5 template paragraphs that you can use in any essay brrRRR

Platonic love is explored through the relationship of Othello and Desdemona, in which their differences of race and status strengthen their ideal love for one another. Othello is an impossible position as a black male serving a white patriarchy, as he loves ‘thee gentle Desdemona’, suggesting through the emotive language that Othello desires Desdemona due to her feminine grace and sympathy; she loves him for his masculinity. ‘Gentle’ suggests she is kind and warming character, yet also in a vulnerable position in society, foreshadowing her hamartia – death. Likewise, the setting of Venice is powerful and romantic, like their relationship at first, yet it moves to a military conflicting setting, which also reinforces the destruction in their relationship. This is reinforced in Shakespeare’s earlier play ‘Romeo and Juliet’ because both families wont accept one another creating a conflict, criticising how society allows family to decompose true love, primarily due to discrimination.



Othello continues to expose his affection for Desdemona publicly, yet Shakespeare transcends how racism can also be a barrier to romantic love. Iago is prejudice against Othello, whom he holds strong negative racial stereotypes of Othello as he is ‘an old black ram tupping your white ewe’. ‘Old black ram’ is harsh animal imagery used to Iago’s advantage to show Desdemona his flaws, yet Desdemona ignores the racial differences and stereotypes of black men in Jacobean society, as she holds a robust radical point of view for a Jacobean heroine, as she doesn’t view mixed marriages with anxiety. Culturally, in the 17th century mixed marriages were viewed with anxiety and shocking in the Jacobean era as to Iago black symbolises evil and suspicion, strengthening his xenophobic perspective. Iago’s personality is shown in Shakespeare’s earlier play, ‘The Merchant of Venice’ due to his excessive biased view, in which Shylock is viewed as an outsider due to his culture of being a Jew, questioning how this injustice firstly erupted in ‘Othello’ due to a prior jubilant attachment between Othello and Desdemona.



Disruption in the relationship was caused by Iago, in which Iago used jealousy as a catalyst to destruct their platonic love, propelling the havoc downfalls of most of the characters, including himself. Jealousy damages Othello as he distorts Othello’s ability to distinguish between appearance and reality, unable to glance that Iago hides behind a façade of ‘honesty’ and ‘truth’. Iago is considered a ‘green ey-d monster’ suggesting through the vivid metaphor that envy is deadly and lethal, in which Iago adapts Othello’s mind-set completely, causing him to ‘smother’ his own wife. ‘Monster’ connotes the strength of covetousness and how it can consume one, whereas it also represents how monsters are imaginary, similar to his lies and deceits which he used amongst most the characters. Historically, the Muslim and the Christian states had a dangerous war which caused an abundance of harm, advocating how Iago takes advantage of the uneasy political situation to destabilise their marriage. A Modern male approach would strongly agree as Iago is a strong Machiavellian villain, in which Iago is a cynical, manipulative villain driven by a petty motive – not being promoted.



Manipulation is used by Iago again to construct his ultimate ploy to threaten their marriage, in which Iago can’t bear to see a female exert influence in a male-centred society. Othello believes that Desdemona is having an affair with Cassio, due to Iago who is ‘full of love and honesty’ which is dramatic irony and humour, combined to conceal his façade as he tricks the others to harm them, and continue on his tactical spree. ‘Honesty’ is also repeated throughout the beginning to the denouement, exemplifying how his image can never be tainted or wrecked, despite Emilia exposing him badly in Act 5, questioning how society restricts women in a desperate, vulnerable position in which their voice is unheard in civilisation. Plotting is also exhibited as it goes strictly against the Age of Enlightment, in which Iago’s violation of behaviour leaves the others characters in the play in a vulnerable position, subverting how fate strikes him back inevitably in which one never gets away with his actions of violence and hatred. An Elizabethan approach would consider domestic abuse acceptable and normal, in which they lived in a violent world where Othello is trapped and weakened by love, exposing how women, as well as men can be susceptible to doubt and spite, due to Iago’s overbearing strength.



Patriarchy is an overwhelming force which is combatted by Desdemona to pursue her love, using her strength to go against the male-centred world. Desdemona uses her powerful womanhood to ‘deceive her father’ alluding how Desdemona has manipulated her father and asserted her independence from patriarchy by choosing her own husband, subverting the opposition and power. ‘Deceive’ can also be a subversion of authority, in which is inevitable at the denouement that both females die, despite trying to stand up to the competency, questioning whether this injustice can ever be solved. However, in the Renaissance this was justified as men were expected to control and command their wives, as Shakespeare presents that men overrule women in humanity, and there is no way for them to escape their helpless status. Yet, in a later play by Shakespeare named ‘Macbeth’, exclaims how men need to live up to the expectations of manhood, transcending men and their power.

LoRD z !
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Samii.A
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Wow, what a very academic and professional essay but I've already submitted my essay but thx anyways.
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zainwaraich123
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(Original post by LadySophia22)
Wow, what a very academic and professional essay but I've already submitted my essay but thx anyways.
ahhh it took me ah 45mins to write it for u

effort ;/ i didnt even realise this was 24 days ago, i thought it was 2 days ago

can u help me tho, how i can improve it or better context etc
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Samii.A
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(Original post by zainwaraich123)
ahhh it took me ah 45mins to write it for u

effort ;/ i didnt even realise this was 24 days ago, i thought it was 2 days ago

can u help me tho, how i can improve it or better context etc
You could have included quotes and Shakespeare's opinion and keyword's as well as the three greek modes of rhetoric (persuasion) but like overall it is excellent. May I ask what year you are in?
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zainwaraich123
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(Original post by LadySophia22)
You could have included quotes and Shakespeare's opinion and keyword's as well as the three greek modes of rhetoric (persuasion) but like overall it is excellent. May I ask what year you are in?
ahahah thanks I'm in year 12
took me 45 mins to write right now

so what would u give out of 25
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Samii.A
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I would give it 21 out of 25 since u didn't use quotes. Just remember that using quotes to support your answer is crucial. But I'm sure you already know that. Anyways I've got another homework but this time it's about how Emilia is presented.
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zayffic
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#8
(Original post by zainwaraich123)
ahhh it took me ah 45mins to write it for u

effort ;/ i didnt even realise this was 24 days ago, i thought it was 2 days ago

can u help me tho, how i can improve it or better context etc
dnt wrryy u helped me and ur amazingggg!!!!!!!!!!11 thank u so much... Ur an absolute star!!! Srsly
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rojomed
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#9
(Original post by zainwaraich123)
Let me give you an example essay I just wrote for you g

OK // I will make 5 template paragraphs that you can use in any essay brrRRR

Platonic love is explored through the relationship of Othello and Desdemona, in which their differences of race and status strengthen their ideal love for one another. Othello is an impossible position as a black male serving a white patriarchy, as he loves ‘thee gentle Desdemona’, suggesting through the emotive language that Othello desires Desdemona due to her feminine grace and sympathy; she loves him for his masculinity. ‘Gentle’ suggests she is kind and warming character, yet also in a vulnerable position in society, foreshadowing her hamartia – death. Likewise, the setting of Venice is powerful and romantic, like their relationship at first, yet it moves to a military conflicting setting, which also reinforces the destruction in their relationship. This is reinforced in Shakespeare’s earlier play ‘Romeo and Juliet’ because both families wont accept one another creating a conflict, criticising how society allows family to decompose true love, primarily due to discrimination.



Othello continues to expose his affection for Desdemona publicly, yet Shakespeare transcends how racism can also be a barrier to romantic love. Iago is prejudice against Othello, whom he holds strong negative racial stereotypes of Othello as he is ‘an old black ram tupping your white ewe’. ‘Old black ram’ is harsh animal imagery used to Iago’s advantage to show Desdemona his flaws, yet Desdemona ignores the racial differences and stereotypes of black men in Jacobean society, as she holds a robust radical point of view for a Jacobean heroine, as she doesn’t view mixed marriages with anxiety. Culturally, in the 17th century mixed marriages were viewed with anxiety and shocking in the Jacobean era as to Iago black symbolises evil and suspicion, strengthening his xenophobic perspective. Iago’s personality is shown in Shakespeare’s earlier play, ‘The Merchant of Venice’ due to his excessive biased view, in which Shylock is viewed as an outsider due to his culture of being a Jew, questioning how this injustice firstly erupted in ‘Othello’ due to a prior jubilant attachment between Othello and Desdemona.



Disruption in the relationship was caused by Iago, in which Iago used jealousy as a catalyst to destruct their platonic love, propelling the havoc downfalls of most of the characters, including himself. Jealousy damages Othello as he distorts Othello’s ability to distinguish between appearance and reality, unable to glance that Iago hides behind a façade of ‘honesty’ and ‘truth’. Iago is considered a ‘green ey-d monster’ suggesting through the vivid metaphor that envy is deadly and lethal, in which Iago adapts Othello’s mind-set completely, causing him to ‘smother’ his own wife. ‘Monster’ connotes the strength of covetousness and how it can consume one, whereas it also represents how monsters are imaginary, similar to his lies and deceits which he used amongst most the characters. Historically, the Muslim and the Christian states had a dangerous war which caused an abundance of harm, advocating how Iago takes advantage of the uneasy political situation to destabilise their marriage. A Modern male approach would strongly agree as Iago is a strong Machiavellian villain, in which Iago is a cynical, manipulative villain driven by a petty motive – not being promoted.



Manipulation is used by Iago again to construct his ultimate ploy to threaten their marriage, in which Iago can’t bear to see a female exert influence in a male-centred society. Othello believes that Desdemona is having an affair with Cassio, due to Iago who is ‘full of love and honesty’ which is dramatic irony and humour, combined to conceal his façade as he tricks the others to harm them, and continue on his tactical spree. ‘Honesty’ is also repeated throughout the beginning to the denouement, exemplifying how his image can never be tainted or wrecked, despite Emilia exposing him badly in Act 5, questioning how society restricts women in a desperate, vulnerable position in which their voice is unheard in civilisation. Plotting is also exhibited as it goes strictly against the Age of Enlightment, in which Iago’s violation of behaviour leaves the others characters in the play in a vulnerable position, subverting how fate strikes him back inevitably in which one never gets away with his actions of violence and hatred. An Elizabethan approach would consider domestic abuse acceptable and normal, in which they lived in a violent world where Othello is trapped and weakened by love, exposing how women, as well as men can be susceptible to doubt and spite, due to Iago’s overbearing strength.



Patriarchy is an overwhelming force which is combatted by Desdemona to pursue her love, using her strength to go against the male-centred world. Desdemona uses her powerful womanhood to ‘deceive her father’ alluding how Desdemona has manipulated her father and asserted her independence from patriarchy by choosing her own husband, subverting the opposition and power. ‘Deceive’ can also be a subversion of authority, in which is inevitable at the denouement that both females die, despite trying to stand up to the competency, questioning whether this injustice can ever be solved. However, in the Renaissance this was justified as men were expected to control and command their wives, as Shakespeare presents that men overrule women in humanity, and there is no way for them to escape their helpless status. Yet, in a later play by Shakespeare named ‘Macbeth’, exclaims how men need to live up to the expectations of manhood, transcending men and their power.

LoRD z !
So professional
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zainwaraich123
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#10
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#10
(Original post by zayffic)
dnt wrryy u helped me and ur amazingggg!!!!!!!!!!11 thank u so much... Ur an absolute star!!! Srsly
ahahha my g

no worries akh
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