Hello, could anyone please mark this Power and Conflict essay? It's about 'Checking Out Me History' and 'London'. I have attempted to avoid making the mistakes I made during previous essays and I would like to know how many marks this would get:
"Those who don't have power are inevitably angry with those who do."
Using this quotation as a starting point, write about the theme of anger in 'Checking Out Me History' and one other poem from 'Power and Conflict'.
Remember to comment on how the poems are written. [30 marks]
'Checking Out Me History' was a poem written by John Agard, about how he feels he was stripped of his own cultural identity as a child, as he was not taught about important figures from Caribbean history at school. In this poem, anger is directed at the oppressive eductional system which would only teach history from a eurocentric perspective. In 'London', anger is directed at the status quo, namely the Church and the monarchy. This was a protest poem written by William Blake during the Industrial Revolution.
In 'Checking Out Me History', the speaker displays his anger at the formal teaching of history at the very beginning of the poem. Repetition of 'Dem tell me' is used over the first two lines, which conveys the forcefulness and repetitiveness of how the same type of history is being taught. The repetition also gives the lines a slightly more aggressive tone, and suggests he is sick of being ignored. 'Dem' sounds more confrontational than 'They', and the usage of third person suggests that the speaker feels he is not part of this group, distancing himself from them. This could also imply that he feels the teachings about white history are irrelevant to him, and his refusal to use standard English grammar shows this and shows his separation from the society he is attacking. Using 'me' rather than 'us' suggests he wants his voice to be heard, and wants representation of individuals such as himself on the curriculum, rather than glorified white figures. The second stanza consists of only two lines, adding emphasis, as speaker accuses those in charge of education of trying to 'Blind' him and metaphorically 'Bandage up' his eye. Bilabial plosive alliteration is used, which makes the words seem more sharp and aggressive, and these verbs imply that the leaders have deliberately tried to stop him from embracing his cultural identity. They also imply violence, which reflects the extreme lengths they have gone to to oppress his people.
In the poem 'London', anger is directed at the status quo. Blake accuses the monarchy of ignoring the suffering of the people. The narrator says that the 'hapless soldier's sigh / Runs in blood down palace walls'. 'hapless' is an emotive word, which suggests that the soldiers feel disillusioned with the cause they are fighting for. This is almost ironic, as during this time, the British Empire had conquered a third of the world, bringing glory and riches to the country. This is all said to be in vain - their 'blood' is lost to further the goals of those in charge, rather than themselves. This may cause the reader to feel a sense of injustice, and share the anger Blake feels towards those in charge. The monarchy are presented as being exempt from this suffering, as they are protected and separated from everyone else by the 'palace walls'. These are symbols of a physical divide or a barrier, the line setting the rich and the poor, the oppressed and the oppressors apart. The speaker's anger is directed at all aspect of the status quo, reflecting how he believes a drastic change to society should be made - even the Church, a respected institution of morality and good is described as 'black'ning'. The Church is usually associated with the colour white, symbolising purity, whereas now it has became dark and corrupted, a symbol of sin and decadency, the one thing it was created to fight against.
In 'Checking Out Me History', Agard understands that he must limit the level of accusation in his tone, otherwise his message to the British people will not be accepted, which cannot happen as all his efforts would be in vain. The poem drifts between overt anger expressed through repetition and plosive sounds, to calmer paragraphs using losts of rhyme and mentioning of nursey rhyme and pantomine characters such as '**** Wittington and he cat'. During the latter paragraphs, he seeks to entertain and neutralise the tone of his message. This poem is intended to be read as a calypso, which is a type of political music that sounds cheerful, but carries a serious, subtle message about society. This form of poetry originated during the fight for the emancipation of the slaves, which is a major theme in this poem and furthers his argument that his culture is being supressed. The poet has also carefully chosen specific heroic figures from Caribbean history to fit the message of this poem. Rather than making a brutal attack against British society, people such as Mary Seacole are mentioned. Mary Seacole went to Crimea during the Crimean War to help British soldiers. She is even described as a 'healing star', referencing the star that guided the three wise men to Bethlehem, reminding the reader that she also was a Christian and therefore has a similar culture to that of Britain, and can help and 'heal' British society, encouraging the notion that both countries can work together without hate, exclusion or prejudice, for a common goal.
In the poem 'London', the poet attempts to convince the reader to agree in his anger by creating a sense of desperation and urgency, by describing the immense suffering in the city of London, and blaming those in charge for the problem. People of all ages and careers are said to be suffering. The speaker particularly focuses on young people, such as an 'infant', a 'youthful harlot' and a 'chimney sweep', as they are symbols of innocence and an absence of wrongdoing. This arises the sympathy of the reader and may drive them to want to take action. People are said to suffer from the moment they enter the world, as the young woman swears at her newborn paper, the 'curse', 'blasting' the infant's 'ear', up until the moment they leave, symbolised by the poem ending with the words 'marriage hearse'. The poet suggests that any attempts to seek happiness whilst the society is in its current state are futile, as even the traditionally happy image of 'marriage' is tainted with the image of a 'hearse'. This juxtaposition conveys the complete 'wrongness' and corruption of society. Everything is in chaos and the opposite of how it should be. The French Revolution was ongoing during the time this poem was written, and it did inspire revolutionary sentiments abroad against the ruling classes. Perhaps this protest poem was written to incite a British revolution?