Reply 1
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Some background information on them is good but it's not so important
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What movement were they a part of and what informed their themes?
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Pick a piece of their work and analyse the hell out of it. What are the colours like? Are they complementary? Warm? Cool? What effect do they have on the viewer? What is in the foreground? Background? What is your eye drawn to? What do you think the meaning of the piece is? How is this conveyed? What can you say about form? Are there lots of straight/stark lines? Lots of curves? What does this suggest?
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Tell the examiner what you were intending to do with this piece. The fun thing here is that they cannot know what went on inside your head so you can spin a whole story that sounds sufficiently plausible and sell it with such confidence that they believe it. I wanted to draw cars for my final piece. Simple as that. But I had to make it into something so I played with scale a bit and waffled on about how the car is actually a toy car which symbolises the juxtaposition between the desires and perceptions of childhood and the realities of adulthood. I didn't believe a word I said but the examiner did!
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Again, go off on one about colour and form and perspective.
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Talk about the bits you thought were successful and the bits you want to improve. If you were to do this piece again, what would you do differently? Why?

Reply 2
Reply 3
•
Some background information on them is good but it's not so important
•
What movement were they a part of and what informed their themes?
•
Pick a piece of their work and analyse the hell out of it. What are the colours like? Are they complementary? Warm? Cool? What effect do they have on the viewer? What is in the foreground? Background? What is your eye drawn to? What do you think the meaning of the piece is? How is this conveyed? What can you say about form? Are there lots of straight/stark lines? Lots of curves? What does this suggest?
•
Tell the examiner what you were intending to do with this piece. The fun thing here is that they cannot know what went on inside your head so you can spin a whole story that sounds sufficiently plausible and sell it with such confidence that they believe it. I wanted to draw cars for my final piece. Simple as that. But I had to make it into something so I played with scale a bit and waffled on about how the car is actually a toy car which symbolises the juxtaposition between the desires and perceptions of childhood and the realities of adulthood. I didn't believe a word I said but the examiner did!
•
Again, go off on one about colour and form and perspective.
•
Talk about the bits you thought were successful and the bits you want to improve. If you were to do this piece again, what would you do differently? Why?

Reply 4
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Reply 9
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