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need help on the structuring of gcse aqa english lit essays!

I have a 30 mark essay question on Macbeth coming up soon and I’m REALLY unsure on how I structure it. My teachers have been telling me to write 3 paragraphs (including the extract) on 3 big ideas, but I’m confused on how to do this based on their teaching. One teacher tells us that the big ideas needs to be from the beginning, middle or end with each of the 3 big ideas covering ONE of the three areas, whereas the other tells us that each big idea paragraph needs to be written about relating to the WHOLE play. I’m pretty sure the latter one is correct but I need some clarification.

TLDR: Do each of your “big ideas” in your essay need to be talked about relating to the whole play in each paragraph, or do you only talk about them during the beginning/middle/end? Also, how do you write an essay in chronological order based on the answer to the first question?

Reply 1

Hey there! I'm Holly, an offer holder for RHUL's English & Creative Writing degree. In my GCSEs I managed to get 9s for both English papers, so though it's been a little while since I studied, hopefully I can help you out a bit.

First off, when it comes to 'Big Ideas', it's really important to remember that these are themes, NOT events. Structuring your essay in a chronological order isn't important most of the time - but it can be helpful when talking about the Ideas themselves. (I know this sounds odd, but bare with me here.)

For example, let's say we're doing this essay question: Starting with this speech, explore how far Shakespeare presents Macbeth as a violent character.

Your 'Big Ideas' might be Heroic Violence (Macbeth's punishing of traitors), Murderous Violence (killings committed by Macbeth himself) and The Violence of Others (how Macbeth's actions compare to those of others in the play, who are arguably equally - or more - violent). Personally, I'd argue in all of these themes that though Shakespeare presents Macbeth as a violent character, the violent behaviour he exhibits is somewhat normalised within his society. Heroic violence (e.g. the punishing of rebels and traitors) is seen as honourable, and we seem him being rewarded for it at the top of the play. Similarly, though Macbeth commits murder, he's actively encouraged to do so by others (e.g. Lady Macbeth), thus remoing some of the taboo of this act. Finally, the violent behaviour of others - such as the language used by Lady Macbeth, the killing of Macbeth by Macduff, and the like - create a culture of violence which Macbeth himself perpetuates rather than initiating.

As you can see from the example above, I'm not overly concerned with chronology in this response - so why have you been given advice that seems to contradict what I've suggested? Well, that comes down to the nature of the question presented. I find it easiest to answer these questions by categorising them first, because that helps me identify the best way to tackle them. I'd suggest the following categories, based on the questions from previous years:

1.

Transformative Questions: These are concerned with how a character changes throughout the play. In it's simplest form, this might just ask you how they change - but it could also talk about how their attitudes towards X change too. One example from previous years is: '‘Lady Macbeth is a female character who changes during the play.’ Starting with this moment in the play, explore how far youagree with this view.' (2020)

2.

Comparative Questions: These are concerned with comparing & contrasting two things - usually two people. Sometimes these can be difficult to recognise - they might engage with a Thematic idea too - but the key is to look for two people's behaviours or reactions to the same thing being mentioned, e.g. 'Starting with this moment in the play, explore how Shakespeare presents the attitudes of Macbeth and Banquo towards the supernatural.' (2018)

3.

Dynamic Questions: These questions focus on the relationship (or dynamic) between two characters. Usually these are about Lady Macbeth & Macbeth (because the exam board try not to overcomplicate the question itself). These are typically something like: 'Starting with this moment in the play, explore how Shakespeare presents the marriage between Macbeth and Lady Macbeth.' (SAMS3)

4.

Thematic Questions: These are your bread & butter in English GCSE as they're the most common. Normally asking about something abstract like 'jealousy' or 'love', you're going to be more than familiar with them by now. Here's an example if you need one though: 'Starting with this speech, explore how Shakespeare presents ambition in Macbeth.' (2017)

I've broken down the previous questions by theme in the image below for you to illustrate my point:
Screenshot 2025-03-24 185616.png

So why does this matter? Well, we can establish a pretty simple rule of thumb for how we tackle questions - anything Comparative, Dynamic or Thematic usually doesn't need to be handled chronologically, but a Transformative question should always be handled in this way. (There are obviously exceptions to this rule - if the question asks, for example, how Lady Macbeth & Macbeth's relationship changes throughout the play, then this would be both Dynamic & Transformative. The key here is to recognise when you're being asked something Transformative - if there's any indication this is the case, then you should be looking at things chronologically.)

Now, the main problem here is that the examiners actually don't care that much how you handle things, so long as you hit the right general points. For a Transformative question, you can still work in your 'Big Idea' structure if you talk about chronology/progression throughout the play within these paragraphs. The main thing is that you do talk about any notable changes in some way. (Typically examiners reward working chronologically within Big Ideas more than they do working chronologically overall, but this is more of a technical point & you don't need to stress about it too much.)

TLDR: If there's any reference to how something or someone changes, develops or transforms in the play, always write chronologically. If the question asks anything else, you can work by your 'Big Ideas'.

Hopefully this helps! If you need any more clarification, just let me know & I'll be happy to explain things in a different way! :smile:

Reply 2

Original post by HollyLRose
Hey there! I'm Holly, an offer holder for RHUL's English & Creative Writing degree. In my GCSEs I managed to get 9s for both English papers, so though it's been a little while since I studied, hopefully I can help you out a bit.
First off, when it comes to 'Big Ideas', it's really important to remember that these are themes, NOT events. Structuring your essay in a chronological order isn't important most of the time - but it can be helpful when talking about the Ideas themselves. (I know this sounds odd, but bare with me here.)
For example, let's say we're doing this essay question: Starting with this speech, explore how far Shakespeare presents Macbeth as a violent character.
Your 'Big Ideas' might be Heroic Violence (Macbeth's punishing of traitors), Murderous Violence (killings committed by Macbeth himself) and The Violence of Others (how Macbeth's actions compare to those of others in the play, who are arguably equally - or more - violent). Personally, I'd argue in all of these themes that though Shakespeare presents Macbeth as a violent character, the violent behaviour he exhibits is somewhat normalised within his society. Heroic violence (e.g. the punishing of rebels and traitors) is seen as honourable, and we seem him being rewarded for it at the top of the play. Similarly, though Macbeth commits murder, he's actively encouraged to do so by others (e.g. Lady Macbeth), thus remoing some of the taboo of this act. Finally, the violent behaviour of others - such as the language used by Lady Macbeth, the killing of Macbeth by Macduff, and the like - create a culture of violence which Macbeth himself perpetuates rather than initiating.
As you can see from the example above, I'm not overly concerned with chronology in this response - so why have you been given advice that seems to contradict what I've suggested? Well, that comes down to the nature of the question presented. I find it easiest to answer these questions by categorising them first, because that helps me identify the best way to tackle them. I'd suggest the following categories, based on the questions from previous years:

1.

Transformative Questions: These are concerned with how a character changes throughout the play. In it's simplest form, this might just ask you how they change - but it could also talk about how their attitudes towards X change too. One example from previous years is: '‘Lady Macbeth is a female character who changes during the play.’ Starting with this moment in the play, explore how far youagree with this view.' (2020)

2.

Comparative Questions: These are concerned with comparing & contrasting two things - usually two people. Sometimes these can be difficult to recognise - they might engage with a Thematic idea too - but the key is to look for two people's behaviours or reactions to the same thing being mentioned, e.g. 'Starting with this moment in the play, explore how Shakespeare presents the attitudes of Macbeth and Banquo towards the supernatural.' (2018)

3.

Dynamic Questions: These questions focus on the relationship (or dynamic) between two characters. Usually these are about Lady Macbeth & Macbeth (because the exam board try not to overcomplicate the question itself). These are typically something like: 'Starting with this moment in the play, explore how Shakespeare presents the marriage between Macbeth and Lady Macbeth.' (SAMS3)

4.

Thematic Questions: These are your bread & butter in English GCSE as they're the most common. Normally asking about something abstract like 'jealousy' or 'love', you're going to be more than familiar with them by now. Here's an example if you need one though: 'Starting with this speech, explore how Shakespeare presents ambition in Macbeth.' (2017)

I've broken down the previous questions by theme in the image below for you to illustrate my point:
Screenshot 2025-03-24 185616.png
So why does this matter? Well, we can establish a pretty simple rule of thumb for how we tackle questions - anything Comparative, Dynamic or Thematic usually doesn't need to be handled chronologically, but a Transformative question should always be handled in this way. (There are obviously exceptions to this rule - if the question asks, for example, how Lady Macbeth & Macbeth's relationship changes throughout the play, then this would be both Dynamic & Transformative. The key here is to recognise when you're being asked something Transformative - if there's any indication this is the case, then you should be looking at things chronologically.)
Now, the main problem here is that the examiners actually don't care that much how you handle things, so long as you hit the right general points. For a Transformative question, you can still work in your 'Big Idea' structure if you talk about chronology/progression throughout the play within these paragraphs. The main thing is that you do talk about any notable changes in some way. (Typically examiners reward working chronologically within Big Ideas more than they do working chronologically overall, but this is more of a technical point & you don't need to stress about it too much.)
TLDR: If there's any reference to how something or someone changes, develops or transforms in the play, always write chronologically. If the question asks anything else, you can work by your 'Big Ideas'.
Hopefully this helps! If you need any more clarification, just let me know & I'll be happy to explain things in a different way! :smile:


This helped explain things really well! Thank you so much, I’ll definitely be taking this into account!

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