What's your game of the year for 2025?
Hi everyone, it’s Jaimie here, Lecturer in Games Design at the University of Staffordshire. 2025 will go down as one of the best, and likely busiest, years in gaming. From AAA titles, such as Silent Hill f and Borderlands 4, to independent games such as the hotly anticipated Hollow Knight: Silksong, which finally saw its release, there were a lot of games fighting for your attention.
Nevertheless, as we come to the end of the year, we’re entering the exciting period of reflection, where players from all backgrounds share their highlights from the past year, selecting their “game of the year” for 2025. With The Game Awards around the corner on 11 December, our department would like to share their personal favourites from 2025.
Jaimie Ditchfield – Lecturer, Games Design
I have played a lot of games this year, not all released in 2025, but a high majority of them were new titles. It took a bit of deliberation to be honest, but ultimately, I decided on Donkey Kong Bananza, one of Nintendo’s exclusive Nintendo Switch 2 games which helped to usher in a new generation of hardware.
As a lifelong Nintendo fan, Donkey Kong Bananza played homage to the games of yesteryear, primarily Donkey Kong Country, one of the finest 2D platforms ever created. There are plenty of clever references to previous instalments, which results in a huge payoff for those of us that have grown up playing other Nintendo titles.
Then again, my favourite part of Donkey Kong Bananza was the relationship between Pauline and the titular Donkey Kong, which somehow managed to tug at the heartstrings throughout the game’s runtime. Combine that with some of the best level destruction and platforming seen in a game, and you have something truly special.
Davin Ward – Course Director, Games Programming
When Clair Obscure: Expedition 33 was first revealed in 2024 it was hard to imagine how much it would take the world by storm and go on to sell over 5 million copies world-wide (on top of being on Game Pass). The game masterly combines turn-based combat with a QTE system that feels more like Sekiro than Super Mario RPG and the feeling you get after parrying a long-winded boss move is second to none.
In addition to the combat system, the games build crafting potential allows the players to fully explore unique builds that truely fit any given situation. This is done via the “Pictos system” and allows you to combine many different skills that offer passive effects with skills that the player can use to deal damage, buff their party or debuff their opponents.
The narrative is expertly delivered and as the player you feel everything the party is going through during the gruelling adventure to defeat the Paintress. This narrative is delivered by the exceptionally talented Charlie Cox, Andy Serkis, Ben Starr and Jennifer English that truly make the characters feel alive.
Finally, this is all brought together by the sombre musical scoring of Lorien Testard and the vocals of Alice Duport-Percier that has had me listening to the OST on repeat since the game launched.
Dr. Mat Dalgleish – Senior Lecturer in Game Audio and Technical Design
I love both early Pac-Man titles and the Vectrex (a unique vector display–based console released a couple of years before I was born, and now favoured by a small group of analogue video artists who hack it into a more general-purpose display). Thus, if you’d asked me a week ago, my actual game of the year could easily have been Vec-Man, a 2019 Vectrex homebrew title. I might be six years late in getting hold of a copy and it therefore be completely ineligible here, but the current popularity on Kickstarter of the Vectrex Mini (sadly an AMOLED screen) would have lent it at least a tiny bit of contemporary relevance!
However, one of my favourite games of all time is Thumper, a 2016 rhythm game for the PS4, with a soundtrack by Brian Gibson of experimental noise rock duo Lightning Bolt. And, only a few days ago and taking me by surprise, a non-VR version of 2024’s follow-up Thrasher launched on Steam. I probably slightly prefer Thumper overall, but a soundtrack that hints at French electronic acts like Justice and early Daft Punk, wildly acidic and sometimes chaotic visuals, and a bucketload of synchresis (an obscure French term for a kind of compelling audiovisual fusion), are still enough to make Thrasher my game of the year.
Prof. Catherine Flick – Professor of Ethics and Games Technology
I’m a huge fan of indie games, and particularly narrative, puzzle, and/or cosy games given that I have a very busy life and am often very tired when I get to game time! Earlier this year I really liked Blue Prince for the solid cosy eerie puzzle game aesthetic. I didn’t fully finish it but maybe one day I will get back to my pages and pages of notes!
But for me, my GOTY would have to be The Seance of Blake Manor by Spooky Doorway. In this game you play an Agatha Christie-style detective investigating a missing woman at a hotel in rural Ireland a couple of days before Halloween, 1897. Part mystery whodunnit and part folk horror, I was drawn in by the aesthetic, the music, and the deep dive into Irish folklore. It’s not often these days that I get so lost in a game that I suddenly look up and it’s after midnight, but this one got me hook, line, and sinker. You only have a certain amount of time to solve the mystery, which adds in a compelling mechanic to Curse of the Golden Idol style deduction. It has hauntings, gods, Victorian spiritualism, and a bucketload of twists and turns. Definitely one of those games I wish I could play again afresh!
Luke Haslett – Senior Lecturer in Game Design and Narrative
Death Stranding 2 was one of my favourite games of 2025 because it reminded me that big budget games can still be daring and personal. I was a huge fan of the first one, so I went in with pretty high expectations, and I am really glad to say it lived up to all of them. Most AAA titles try to grab your attention with constant action, but this one dared to slow everything down and I loved how it built on the ideas of the first game without losing its identity. Mechanical, every movement, delivery, and route I planned felt methodical and meaningful. It centres traversal as the core gameplay and turns it into something almost meditative. Carrying cargo across rough terrain might sound repetitive on paper, but in practice it felt deeply satisfying and very human.
What really impressed me was how those mechanics connected directly to the story’s themes. Like its predecessor, the game is about connection, rebuilding trust and finding meaning in isolation, and you could feel those ideas through the way you played. It was not just telling a story about rebuilding the world, it made me live that process through every journey and difficult delivery.
There were plenty of other great games this year as well. Expedition 33 stood out to me for its emotional storytelling, Blue Prince captured me with its inventive structure, Split Fiction offered a brilliant take on cooperative storytelling, and Two Point Museum was pure fun whenever I wanted something lighter. Still, Death Stranding 2 was the one that stayed with me the most. It felt significant, bold, and unforgettable, and it reminds me why I love games that take risks and do things differently.
Dr. Kieran Hicks – Associate Professor in Games Design
This year has been surprisingly difficult to judge, 2025 has been full of genuinely brilliant games. Expedition 33 delivered some of the most interesting TRPG combat in years, Metal Gear Solid: Snake Eater returned as one of my all-time favourites, and the new Silent Hill impressed me far more than expected. Indie gems like BALL x PIT and MEGABONK were also strong contenders, with the latter only narrowly missing my top spot.
But ultimately, my Game of the Year has to be Donkey Kong Bananaza. The obvious highlight is the central destruction mechanic, which is pure, unfiltered joy. Smashing environments feels *chef’s kiss* satisfying, and the game absolutely knows how to hook you rewarding every chaotic swing like it’s cheering you on.
What elevates it further is the level design. Instead of feeling messy or gimmicky, the destructibility is woven tightly into each environment, creating varied levels that shift and reform in ways that guide and challenge the player. At its best, it’s a masterclass in designing around dynamic spaces; at its worst, you’re occasionally fighting the camera but still gleefully destroying everything anyway. In a year packed with great games, Bananaza is the one that stayed with me.
Nicola Edwards – Senior Lecturer in Concept Art
When I first played It Takes Two, I was absolutely besotted with the game. The gameplay was easy enough for my pre-teen to get their head around, the environments were fun and interesting to navigate, the storyline (whilst prescriptive) was by no means boring or expected, and the emotional pull on the heartstrings was intense at times. So, when I heard that Hazelight were bringing out Split Fiction, I knew I needed to get it.
Finding a game that means I can spend more time with my kid that isn’t just racing or fighting games is quite unique. And this game does not let you down. Without giving too much away, the characters complement each other well, the levels are just the right length, and the challenges/side quests aren't generic or repetitive. Whilst I was hoping for It Takes Two 2, this does not disappoint one bit in beauty or in emotive splendour.
Similarly, DOOM The Dark Ages has been a romp through absolutely madness, and I would wholeheartedly recommend that game, too – for exactly the opposite experience! Oh, and giant monsters slapping monster meat.
Professor Chris Headleand – Head of the Games Institute
Choosing a single Game of the Year for 2025 is really difficult. It’s been an exceptional year for creativity in games, with indie creators and major studios really pushing boundaries in mechanics, storytelling, and technology. Death Stranding 2 and Expedition 33 really showcased that big titles can still take risks and innovate in the medium, while Split Fiction has been one of the best cooperative play games in recent years, a really inventive title.
However, my very personal pick has to be Atomfall this year. Which is surprising for me to say as I’ve only recently picked it up. But I’ve always had a fascination with British post-apocalyptic fiction for years, and Atomfall captured that tone exceptionally. It’s a love letter to northern england, wrapped in a crunchy coating of Cold War paranoia. I’ve been sucked into the narrative, and the gameplay, and have been genuinely impressed with the experience. The visual design felt authentically northern, the dialogue was dark but funny, and the atmosphere was thick with tension.
What I am really enjoying is how Atomfall balances realism with the surreal. Its simultaneously unsettling, beautiful, and deeply original. It has really stood out to me as a brilliant game, and a case study in world design.
...Peak was also fun. But trying to teach my enthusiastic 5-year-old how to play it with me was like explaining word processing to a German Shepherd: plenty of excitement, very little understanding, and a serious amount of button-mashing. Simply, lots and lots of fun.
What is your game of the year for 2025? Let us know!
Nevertheless, as we come to the end of the year, we’re entering the exciting period of reflection, where players from all backgrounds share their highlights from the past year, selecting their “game of the year” for 2025. With The Game Awards around the corner on 11 December, our department would like to share their personal favourites from 2025.
Jaimie Ditchfield – Lecturer, Games Design
I have played a lot of games this year, not all released in 2025, but a high majority of them were new titles. It took a bit of deliberation to be honest, but ultimately, I decided on Donkey Kong Bananza, one of Nintendo’s exclusive Nintendo Switch 2 games which helped to usher in a new generation of hardware.
As a lifelong Nintendo fan, Donkey Kong Bananza played homage to the games of yesteryear, primarily Donkey Kong Country, one of the finest 2D platforms ever created. There are plenty of clever references to previous instalments, which results in a huge payoff for those of us that have grown up playing other Nintendo titles.
Then again, my favourite part of Donkey Kong Bananza was the relationship between Pauline and the titular Donkey Kong, which somehow managed to tug at the heartstrings throughout the game’s runtime. Combine that with some of the best level destruction and platforming seen in a game, and you have something truly special.
Davin Ward – Course Director, Games Programming
When Clair Obscure: Expedition 33 was first revealed in 2024 it was hard to imagine how much it would take the world by storm and go on to sell over 5 million copies world-wide (on top of being on Game Pass). The game masterly combines turn-based combat with a QTE system that feels more like Sekiro than Super Mario RPG and the feeling you get after parrying a long-winded boss move is second to none.
In addition to the combat system, the games build crafting potential allows the players to fully explore unique builds that truely fit any given situation. This is done via the “Pictos system” and allows you to combine many different skills that offer passive effects with skills that the player can use to deal damage, buff their party or debuff their opponents.
The narrative is expertly delivered and as the player you feel everything the party is going through during the gruelling adventure to defeat the Paintress. This narrative is delivered by the exceptionally talented Charlie Cox, Andy Serkis, Ben Starr and Jennifer English that truly make the characters feel alive.
Finally, this is all brought together by the sombre musical scoring of Lorien Testard and the vocals of Alice Duport-Percier that has had me listening to the OST on repeat since the game launched.
Dr. Mat Dalgleish – Senior Lecturer in Game Audio and Technical Design
I love both early Pac-Man titles and the Vectrex (a unique vector display–based console released a couple of years before I was born, and now favoured by a small group of analogue video artists who hack it into a more general-purpose display). Thus, if you’d asked me a week ago, my actual game of the year could easily have been Vec-Man, a 2019 Vectrex homebrew title. I might be six years late in getting hold of a copy and it therefore be completely ineligible here, but the current popularity on Kickstarter of the Vectrex Mini (sadly an AMOLED screen) would have lent it at least a tiny bit of contemporary relevance!
However, one of my favourite games of all time is Thumper, a 2016 rhythm game for the PS4, with a soundtrack by Brian Gibson of experimental noise rock duo Lightning Bolt. And, only a few days ago and taking me by surprise, a non-VR version of 2024’s follow-up Thrasher launched on Steam. I probably slightly prefer Thumper overall, but a soundtrack that hints at French electronic acts like Justice and early Daft Punk, wildly acidic and sometimes chaotic visuals, and a bucketload of synchresis (an obscure French term for a kind of compelling audiovisual fusion), are still enough to make Thrasher my game of the year.
Prof. Catherine Flick – Professor of Ethics and Games Technology
I’m a huge fan of indie games, and particularly narrative, puzzle, and/or cosy games given that I have a very busy life and am often very tired when I get to game time! Earlier this year I really liked Blue Prince for the solid cosy eerie puzzle game aesthetic. I didn’t fully finish it but maybe one day I will get back to my pages and pages of notes!
But for me, my GOTY would have to be The Seance of Blake Manor by Spooky Doorway. In this game you play an Agatha Christie-style detective investigating a missing woman at a hotel in rural Ireland a couple of days before Halloween, 1897. Part mystery whodunnit and part folk horror, I was drawn in by the aesthetic, the music, and the deep dive into Irish folklore. It’s not often these days that I get so lost in a game that I suddenly look up and it’s after midnight, but this one got me hook, line, and sinker. You only have a certain amount of time to solve the mystery, which adds in a compelling mechanic to Curse of the Golden Idol style deduction. It has hauntings, gods, Victorian spiritualism, and a bucketload of twists and turns. Definitely one of those games I wish I could play again afresh!
Luke Haslett – Senior Lecturer in Game Design and Narrative
Death Stranding 2 was one of my favourite games of 2025 because it reminded me that big budget games can still be daring and personal. I was a huge fan of the first one, so I went in with pretty high expectations, and I am really glad to say it lived up to all of them. Most AAA titles try to grab your attention with constant action, but this one dared to slow everything down and I loved how it built on the ideas of the first game without losing its identity. Mechanical, every movement, delivery, and route I planned felt methodical and meaningful. It centres traversal as the core gameplay and turns it into something almost meditative. Carrying cargo across rough terrain might sound repetitive on paper, but in practice it felt deeply satisfying and very human.
What really impressed me was how those mechanics connected directly to the story’s themes. Like its predecessor, the game is about connection, rebuilding trust and finding meaning in isolation, and you could feel those ideas through the way you played. It was not just telling a story about rebuilding the world, it made me live that process through every journey and difficult delivery.
There were plenty of other great games this year as well. Expedition 33 stood out to me for its emotional storytelling, Blue Prince captured me with its inventive structure, Split Fiction offered a brilliant take on cooperative storytelling, and Two Point Museum was pure fun whenever I wanted something lighter. Still, Death Stranding 2 was the one that stayed with me the most. It felt significant, bold, and unforgettable, and it reminds me why I love games that take risks and do things differently.
Dr. Kieran Hicks – Associate Professor in Games Design
This year has been surprisingly difficult to judge, 2025 has been full of genuinely brilliant games. Expedition 33 delivered some of the most interesting TRPG combat in years, Metal Gear Solid: Snake Eater returned as one of my all-time favourites, and the new Silent Hill impressed me far more than expected. Indie gems like BALL x PIT and MEGABONK were also strong contenders, with the latter only narrowly missing my top spot.
But ultimately, my Game of the Year has to be Donkey Kong Bananaza. The obvious highlight is the central destruction mechanic, which is pure, unfiltered joy. Smashing environments feels *chef’s kiss* satisfying, and the game absolutely knows how to hook you rewarding every chaotic swing like it’s cheering you on.
What elevates it further is the level design. Instead of feeling messy or gimmicky, the destructibility is woven tightly into each environment, creating varied levels that shift and reform in ways that guide and challenge the player. At its best, it’s a masterclass in designing around dynamic spaces; at its worst, you’re occasionally fighting the camera but still gleefully destroying everything anyway. In a year packed with great games, Bananaza is the one that stayed with me.
Nicola Edwards – Senior Lecturer in Concept Art
When I first played It Takes Two, I was absolutely besotted with the game. The gameplay was easy enough for my pre-teen to get their head around, the environments were fun and interesting to navigate, the storyline (whilst prescriptive) was by no means boring or expected, and the emotional pull on the heartstrings was intense at times. So, when I heard that Hazelight were bringing out Split Fiction, I knew I needed to get it.
Finding a game that means I can spend more time with my kid that isn’t just racing or fighting games is quite unique. And this game does not let you down. Without giving too much away, the characters complement each other well, the levels are just the right length, and the challenges/side quests aren't generic or repetitive. Whilst I was hoping for It Takes Two 2, this does not disappoint one bit in beauty or in emotive splendour.
Similarly, DOOM The Dark Ages has been a romp through absolutely madness, and I would wholeheartedly recommend that game, too – for exactly the opposite experience! Oh, and giant monsters slapping monster meat.
Professor Chris Headleand – Head of the Games Institute
Choosing a single Game of the Year for 2025 is really difficult. It’s been an exceptional year for creativity in games, with indie creators and major studios really pushing boundaries in mechanics, storytelling, and technology. Death Stranding 2 and Expedition 33 really showcased that big titles can still take risks and innovate in the medium, while Split Fiction has been one of the best cooperative play games in recent years, a really inventive title.
However, my very personal pick has to be Atomfall this year. Which is surprising for me to say as I’ve only recently picked it up. But I’ve always had a fascination with British post-apocalyptic fiction for years, and Atomfall captured that tone exceptionally. It’s a love letter to northern england, wrapped in a crunchy coating of Cold War paranoia. I’ve been sucked into the narrative, and the gameplay, and have been genuinely impressed with the experience. The visual design felt authentically northern, the dialogue was dark but funny, and the atmosphere was thick with tension.
What I am really enjoying is how Atomfall balances realism with the surreal. Its simultaneously unsettling, beautiful, and deeply original. It has really stood out to me as a brilliant game, and a case study in world design.
...Peak was also fun. But trying to teach my enthusiastic 5-year-old how to play it with me was like explaining word processing to a German Shepherd: plenty of excitement, very little understanding, and a serious amount of button-mashing. Simply, lots and lots of fun.
What is your game of the year for 2025? Let us know!
Reply 1
As everyone’s said in this thread, it’s truly been an amazing year for games. From expedition 33 a truly beautiful shock from a new studio and games like doom the dark ages from industry giants, if someone were to say this one of the best years for gaming I’d whole heartedly agree.
But what’s my personal GOTY?
I’m going to have to go with expedition 33. even though I’ve played many turn based rpgs, I don’t think I’ve ever truly connected with one like I did with expedition 33. A story that had me gripped at every twist and turn, gameplay that was tough but rewarding and most of all a soundtrack I still have on repeat to this day. When I think of what makes a game the game of the year I think of something that pushes the industry forward and even though the game core idea may be a familiar one, I think the way it went all in on their creative vision and really showcased the power of smaller studios really solidified for me that the future of this industry is with these hidden gems. And that truly excites me! So yes expedition 33 every day of the week!
(Also wanted to mention south of midnight, absolutely adored that game! Was really hoping to see it get some more noms in the other categories! But sadly it was just lost in the avalanche of amazing games that came out this year)
But what’s my personal GOTY?
I’m going to have to go with expedition 33. even though I’ve played many turn based rpgs, I don’t think I’ve ever truly connected with one like I did with expedition 33. A story that had me gripped at every twist and turn, gameplay that was tough but rewarding and most of all a soundtrack I still have on repeat to this day. When I think of what makes a game the game of the year I think of something that pushes the industry forward and even though the game core idea may be a familiar one, I think the way it went all in on their creative vision and really showcased the power of smaller studios really solidified for me that the future of this industry is with these hidden gems. And that truly excites me! So yes expedition 33 every day of the week!
(Also wanted to mention south of midnight, absolutely adored that game! Was really hoping to see it get some more noms in the other categories! But sadly it was just lost in the avalanche of amazing games that came out this year)
Reply 2
2025 has truly been a year for games that will be talked about for years to come, not only has this year had some amazing original games but it has also had some remasters that are unforgettable, like metal gear solid and tomb raider.
For GOTY 2025 i have to put my vote towards, Hollow Knight: Silksong. even though I am a long time fan of Donkey Kong and Death stranding, this year I have been plagued with Hollow Knight. I found the original Hollow Knight game and then I immediately fell in love with it and finished it within a few months of first picking it up, The exact same can be said for Silksong, as this game truly does carry on the legacy of its predecessor with its gripping gameplay, thrilling story and amazing art style. These are all huge reasons why I think Hollow Knight: Silksong should be the 2025 GOTY
^^Proof of my vote
For GOTY 2025 i have to put my vote towards, Hollow Knight: Silksong. even though I am a long time fan of Donkey Kong and Death stranding, this year I have been plagued with Hollow Knight. I found the original Hollow Knight game and then I immediately fell in love with it and finished it within a few months of first picking it up, The exact same can be said for Silksong, as this game truly does carry on the legacy of its predecessor with its gripping gameplay, thrilling story and amazing art style. These are all huge reasons why I think Hollow Knight: Silksong should be the 2025 GOTY
Staffs, I love these threads. 
I played Thumper years ago and I had no idea about Thrasher. One for my wishlist for sure. I love weird rhythm games a lot - I think Harmonix's first title FreQuency is probably my favourite ever - not just for it's soundtrack of 90s trance and dance - but for it's place technically as a stepping stone for them to release breakthrough iconic titles like Guitar Hero and Rock Band.
Other new releases I've played this year - Donkey Kong Bananza, Split Fiction, Lego Voyagers, Lego Party, Peak, Deltarune Chapters 3&4.
...Mostly social/co-op games, it turns out. I think that makes sense, I've been playing a lot as a way to catch up with friends.
I've watched my partner play a bit of Borderlands but I'm not great at actually playing shooters, they stress me out. But I do enjoy watching other people play them.
I actually think my most played game this year is probably HS Battlegrounds... again (shame). Or Balatro, actually. That's entirely possible. Xcom 2 is probably up there too.
Expedition 33 is definitely on my list, it seems like my sort of thing. Just haven't got around to it yet!
I played Thumper years ago and I had no idea about Thrasher. One for my wishlist for sure. I love weird rhythm games a lot - I think Harmonix's first title FreQuency is probably my favourite ever - not just for it's soundtrack of 90s trance and dance - but for it's place technically as a stepping stone for them to release breakthrough iconic titles like Guitar Hero and Rock Band.
Other new releases I've played this year - Donkey Kong Bananza, Split Fiction, Lego Voyagers, Lego Party, Peak, Deltarune Chapters 3&4.
...Mostly social/co-op games, it turns out. I think that makes sense, I've been playing a lot as a way to catch up with friends.
I've watched my partner play a bit of Borderlands but I'm not great at actually playing shooters, they stress me out. But I do enjoy watching other people play them.
I actually think my most played game this year is probably HS Battlegrounds... again (shame). Or Balatro, actually. That's entirely possible. Xcom 2 is probably up there too.
Expedition 33 is definitely on my list, it seems like my sort of thing. Just haven't got around to it yet!
Quick Reply
Related discussions
- Nfl ｓｔｒｅａｍｓ nfl ｌｉｖｅ ｏｎ ｃｒａｃｋｓｔｒｅａｍｓ ｂｕｆｆｓｔｒｅａｍｓ
- ｏｒｉｇｉｎａｌ nfl ｓｔｒｅａｍｓ ｒｅｄｄｉｔ nfl ｓｔｒｅａｍｓ nfl ｓｔｒｅａｍｓ
- CrackStreams – NHL! Hockey Live Stream
- ｏｒｉｇｉｎａｌ nfl ｓｔｒｅａｍｓ ｒｅｄｄｉｔ nfl ｓｔｒｅａｍｓ nfl ｓｔｒｅａｍｓｏｒｉｇｉｎａｌ nfl ｓｔｒｅａｍｓ ｒｅｄｄｉｔ nfl ｓｔ
- CrackStreams – NHL Ｓtreams - TOTAL SPORTEK
- WNBA Stream - WNBA TOTAL SPORTEK
- CrackStreams – WNBA Ｓtreams - TOTAL SPORTEK
- ++CrackStreams,,!! WNBA Week 3 Stream@Reddit RedZone at Home
- CrackStreams – WNBA! WNBA Live Stream
- [WATCHLIVE]UPDATES] Penguins vs Blue Jackets LIVE Streams ON Reddit
- first blog (hope this fits)
- Scholarship or bursary for Computing students
- ELD.gg April 2 Release and New Content Take Center Stage in Last Epoch Season 2’s Tea
- Welcome To Autumn and Halloween on TSR!
- Have You, Or Are You Planning On Getting Anything From The Steam Summer Sale?
- Study buddy!!!
- Anyone else applying to Escape Studios for 2024 entry?
- falmouth uni 2025
- UCAT
- Essay writing advice, online resources, classes/webinars etc .. ?
Latest
Trending
Last reply 4 months ago
Staffordshire University Accomodation- Spode HallsLast reply 4 months ago
Clearing 101: 8 things parents and carers need to knowLast reply 5 months ago
Student Finance – when to apply? what about Clearing?Last reply 5 months ago
Official University of Staffordshire Clearing Thread 2025Posted 5 months ago
Tee’s Clearing Story, advice from a student who’s been thereLast reply 5 months ago
What is the Staffordshire area like outside of the Uni of Staffs?Posted 5 months ago
A day in the life of a Computer Science student in LondonPosted 6 months ago
Welcome to the first Fortnite University: StaffsVersePosted 6 months ago
What if I don’t get the apprenticeship I applied for?Posted 6 months ago
Thinking of applying for nursing? Here are our top tips! 🩺✨Posted 7 months ago
What’s student life like at University of Staffordshire London?Last reply 8 months ago
Why it's important to be a part of a society at University :)Posted 8 months ago
What can I expect from University of Staffordshire’s new Student Village?Articles for you
How The Student Room is moderated
To keep The Student Room safe for everyone, we moderate posts that are added to the site.
