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Explore how guilt is presented elsewhere in the play. (20 marks)
Guilt is a key theme in Macbeth and is largely responsible for Macbeth’s tyrannous rule and lady Macbeth’s demise and death.
In the beginning Macbeth is presented as “noble” and “brave” after helping to defeat the Norwegian army. At this point of the play Macbeth is free from any guilt even tough he has killed many people in battle, this is because he is protecting his country and serving the king.
After hearing the witch’s predictions, Macbeth’s guilt is such that even the thought of regicide terrifies him. In act 1 scene 3 he says, “whose horrid image unfix my hair” in his soliloquy. Shakespeare uses a soliloquy in order to convey Macbeth’s inner thoughts and motifs, as well emphasising the strong possibility of him heading the journey as he cannot forget the witch’s predictions. In act 1 scene 7 Macbeth’s guilt is finally exploited by lady Macbeth when she says, “was the hope drunk…”.
In act 2 scene 1 Macbeth seem to be recognising that guilt could be creating the illusion of the dagger which he sees before him as he goes to murder Duncan. The “dagger of the mind” is a false creation proceeding from the heat oppressed brain. Moreover, the dagger is a manifestation of Macbeth’s ambition towards wanting to become a king, but also acts as a warning against the guilt that could occur after the murder Duncan.
After the murder of Duncan, guilt immediately takes over Macbeth, this can be seen when he leaves the daggers in Duncan’s chamber and says “I will go no more” to lady Macbeth. Killing the king went against the Divine Rights of Kings”. Kings were seen to be appointed and answerable to God only. Therefore, any attempts to remove the monarch from the throne was seen as sacrilegious.
The extent of Macbeth’s guilt is established trough the motif of blood in act 2 scene 2. The hyperbolic description of all “great Neptune’s ocean washes this blood clean from my hand” and “multitudinous” convey the vastness of the ocean yet is insufficient to wash the blood clean. Macbeth’s guilt at this point is completely juxtaposed to lady Macbeth lack guilt as she says, “a little water clears us of this deed”. In addition, Macbeth is making the ocean “red” with Duncan’s blood, this suggest that instead of cleansing him, the sin is instead becoming the water and spreading, eventually becoming worse. This foreshadows the demise yet to come, as if the is becoming the water and implying that Macbeth’s guilt cannot be cleansed. Moreover, by referring to Neptune and not a catholic god, it implies that Macbeth cannot return to his God after what he has done, therefore relies on a Roman God.
However, Macbeth’s guilt is removed by the witches in the second meeting and gains a sense of invincibility. The ack of guilt is evident in the late murder of Banquo and Macduff’s family. Following the murder of Banquo, the discussion with the murderers, Macbeth has no sense of guilt, just fear based on Fleance escape as he says, “I had else been perfect”.
Moreover, guilt can be seen through the pattern of speech in the play, as progression of guilt consumes Lady Macbeths sanity and wellbeing. Throughout the play lady Macbeth’s speech changes. From act 1 scene 5 lady Macbeth’s speech is that of a great lady, her speeches are in blank verse with strong rhythm of iambic pentameter which declares her sense of purpose and authority. However, by act 5 scene 1 lady Macbeth’s speech deteriorates to prose, which is choppy and abrupt, even descending into the rhyme of “Fife” and “wife”. Shakespeare writing reflect what it means to break down, even her language is breaking down because guilt of the sin is removing her ability to communicate.
In addition, Shakespeare typifies nobility of ac character through their speech, as noble characters usually speak in blank verse. Therefore, lady Macbeth’s deteriorating speech could imply the destruction of her title and reputation. Shakespeare message may be the heavy consequences surrounding regicide and the chain of being, as killing the king in the Jacobean Era was the worst sin to be committed.
Lastly lady Macbeth’s sleepwalking scene shows the way which guilt has overtaken her. There is an enormous contrast between her needing light by her side now and yet she said “come thick night” in act 1 scene 5. In addition, there is a contrast between her needing to get the “damned spot” out with “a little water clear us of his deed”. Lady Macbeths guilt at the end of the play is directly comparable to Macbeth’s guilt at the start of the play as they both exhibit hyperbole in relation to blood. We have Lady Macbeths “perfumes of Arabia will not sweeten this little hand” directly comparable to Macbeth’s “Great Neptune’s Ocean”.